Tag Archives: monochrome

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Building 106, Night

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Building 106, Night
“Building 106, Night” — Black and white night photograph of Building 106 and surroundings, Mare Island Naval Ship Yard

It has been a while since I have posted new night photography, much less work from this location. I’ve photograph this area extensively over a period of years, often working with my friends from The Nocturnes, the San Francisco Bay Area night photography group. In fact, I was there with them once again on this mid-March night.

Atypically, some of us had begun the evening’s work by shooting in the daylight! Shortly before sunset someone came up with the novel idea, among night photographers anyway, of going out before it became dark to photograph in the golden hour light. So, I started early and gradually worked my way back to the familiar central core of old ship yard buildings. Some years ago when I first visited I was entranced by the most obvious subjects, mostly very large and impressive industrial structures. I still find them impressive and continue to photograph them, but as I returned many more times I began to push out the boundaries of what I know of the place. Eventually I looked for less obvious subjects, sometimes small and out-of-the-way things I had first overlooked, and I began to move beyond the familiar core area to look a bit more far afield. While the location in this photograph isn’t that far from where I started shooting, it is a bit less visited and it was probably the first time that I had explored this particular spot. I was first attracted by some nearby tall structures that look like they might be some sort of hoppers or collection equipment. Then I continued walking and turned up this side alley where nearby artificial lights illuminated the terribly weathered metal walls of old factory buildings, rising from the small one at right, past the taller building just beyond, and culminating that the much taller building near the upper portion of the frame, with its large pipe that must have carried smoke or gas away from its room.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Calero Oaks, Fog

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Calero Oaks, Fog
“Calero Oaks, Fog” — Morning fog clears around hilltop winter oak trees.

This is an older photograph that I sort of “rediscovered” while going through older files recently. It was due for a bit of additional work, reformatting to fit my current preferred 4:3 print ratio, and the updated web border and text that you see in the online versions of my photographs. (And, to answer the question that comes up from time to time, my fine art prints do not include the text found in the online photographs!)

Although I no longer visit there quite as often, this area became a favorite location of mine a few years ago, especially during the winter months when morning fog frequently burns off and reveals the newly-green winter landscape of the California grassland and oak forests. The photograph was made on one of these very mornings, as I had hiked the familiar trail along the top of this ridge, to find myself on the border between fog in the valleys and clearing on the ridge, with the edge of the fog drifting through these trees and the sun backlighting this misty atmosphere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Sandstorm, Dunes

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Sandstorm, Dunes
Sandstorm, Dunes

Sandstorm, Dunes. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong winds lift clouds of sand high into the air above desert sand dunes, Death Valley National Park.

Sandstorms are common in Death Valley, especially when I visit, typically in the spring. I wasn’t totally surprised (nor totally pleased!) when one arose on the second day of this early April visit. After photographing all morning, I was back in camp to get something to eat and take care of camp business before heading back out in the mid-afternoon for the second shoot of the day. As I sat by my camp I saw a few pillars of dust out in the valley near dunes, and at that point I had a pretty good idea of what might be in store for me in the next few hours. It wasn’t long before the wind began to pick up, soon becoming strong enough to stir up a lot of dust and blow down any weak tents left by campers who had headed out for daytime activities elsewhere.

In objective terms, a sandstorm is an unpleasant thing. It is hot. It is dry. It is full of blowing sand and dust, and the fine dust gets into everything, no matter what you do to try to protect against it. In the worst cases, the blowing sand can damage the paint on vehicles. However, in visual terms, a sandstorm can be quite interesting – as long as you can find ways to shoot it that don’t risk destroying your photographic gear. It looked to me like the main storm was in the middle of the valley, so I figured I might be able to cross the valley, take road along the other side, and skirt the far edge of the storm, and photograph back into it with the light coming from behind. I drove across the valley and stopped right at the edge of the blowing sand and mostly shot from inside my vehicle so as to minimize the dust contamination. From this vantage point I could use a long lens to photograph the abstract shapes of sand dunes, backed by clouds of whirling and drifting sand that obscured the Cottonwood Mountains on the far side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Structures and Objects

Tomales Bay Building, Morning Fog

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Tomales Bay Building, Morning Fog
Tomales Bay Building, Morning Fog

Tomales Bay Building, Morning Fog. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Detail of a Tomales Bay shoreline building with morning fog along nearby hills

Living in the San Francisco Bay Area, I am fortunate to be within a few hours driving distance of the Point Reyes National Seashore, so I shoot there fairly regularly. I had a free morning on this early February day, so I decided to drive up that way with the intention of being there for dawn. I didn’t quite make it for the actual sunrise – at that point I was driving through foggy redwood forest – but I got to the road that travels along the edge of Tomales Bay on the way to the “point” shortly after sunrise, and as the fog was clearing from over the water and the hills.

This structure is what I think of as the “Launch for Hire” building, since a very large size with that announcement has been painted on both sides. I haven’t stopped to photograph here much at all in the past, but the early light was interesting on this morning – foggy to the north toward the entrance to Tomales Bay, and backlight fog and trees to the east – so I spent a bit of time photographing along here. I shot the building from both sides – the side facing into the “golden hour” early morning light, and the deeply shaded backside of the building with the very bright morning light and thinning fog beyond. In the latter case, there was a glow in the windows of this building, on pilings out over the water, from the light coming into its interior through windows on the far side facing the rising sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.