Tag Archives: monochrome

Distant Mountains

Distant Mountains
The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

Distant Mountains. © Copyright 2023 G Dan Mitchell.

The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

As I keep saying when I post Death Valley photographs (yeah, broken record…) the distances there are immense. As a result, atmospheric haze often has a distinct effect on photographs of the larger landscape. This can be challenging — the effect on colors is not always attractive. But it also can enhance the sense of depth in the image. A friend of mine refers to the effect as “atmospheric recession,” though I understand that the better known term may be “atmospheric perspective.” The colors shift, contrast decreases, and fine details can be diminished.

This photograph clearly makes use of the effect. I was photographing across Death Valley from an elevate position with a very long focal length. The low foreground hills are a good distance away, but not so far that they are strongly affected by haze — thus the greater contrast and especially the dark shadows. But the lower slopes of the Panamint are many miles away, and the haze has a big effect of their appearance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lattice Fence

Lattice Fence
“Lattice Fence ” — Detail view of lattice fence.

Believe it or not, I have been trying to photograph this bit of fence of several years. It isn’t that it has been a major goal for me, but every time we visit this place I end up trying to make a picture of it. It is one of those subjects that seems like it should be simple to photograph, but then it turns out to be anything but. Part of the issue is that the symmetry that attracts me to its form creates some compositional issues.

I’m more pleased with the version I came up with on this visit. I bypassed some color challenges (the colors aren’t exactly striking) by going with a monochromatic rendition. Some thin clouds softened the light — although the subject is under trees, often there is either a bit of direct light on it or, worse, on the stuff in the background. And this time that background was in soft, deep shade.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Winter Pond, Birds and Fog

Winter Pond, Birds and Fog
Thick tule fog obscures the view of a winter pond, a small island, and birds in flight.

Winter Pond, Birds and Fog. © Copyright 2023 G Dan Mitchell.

Thick tule fog obscures the view of a winter pond, a small island, and birds in flight.

From time to time I make the point that there is always an element of serendipity in nature photography — no matter how much we calculate and plan, in the end there are always things that we cannot control. This photograph is a fine example. I “knew” there would be no fog when I traveled to this location last week. And when I arrived there was none — the sky was almost completely clear in the hours after sunrise. Then, to my astonishment, tule fog spontaneously developed, and within a half hour the area was socked in.

But that’s not the only unanticipated good luck in this photograph. The active flock of red-winged blackbirds just happened to show up on a small island of reeds where I was, at just the right distance to let the fog mute their forms but not render them invisible. They remained just long enough for me to make a few exposures before they departed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Dunes and Shadows

Dunes and Shadows
Low angle light casts shadows across sand dunes, Death Valley.

Dunes and Shadows. © Copyright 2023 G Dan Mitchell.

Low angle light casts shadows across sand dunes, Death Valley.

Sand dunes provide a virtually infinite range of photographic subjects, from the shapes of the tallest dunes down to the footprints of tiny creatures. In many ways, they are canvas on which the light paints, creating changing patterns of light and shadow and changing colors throughout the day. Sometimes the changes are very slow and the scene can appear static, for example during the midday hours. At other times the light changes so fast that it is easy to miss.

I photographed this dune scene when the sun was low in the sky, casting long and deep shadows across the large and small patterns. Not all dunes are so extensive, but these stretched away into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.