Tag Archives: monochrome

Lattice Fence

Lattice Fence
“Lattice Fence ” — Detail view of lattice fence.

Believe it or not, I have been trying to photograph this bit of fence of several years. It isn’t that it has been a major goal for me, but every time we visit this place I end up trying to make a picture of it. It is one of those subjects that seems like it should be simple to photograph, but then it turns out to be anything but. Part of the issue is that the symmetry that attracts me to its form creates some compositional issues.

I’m more pleased with the version I came up with on this visit. I bypassed some color challenges (the colors aren’t exactly striking) by going with a monochromatic rendition. Some thin clouds softened the light — although the subject is under trees, often there is either a bit of direct light on it or, worse, on the stuff in the background. And this time that background was in soft, deep shade.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Winter Pond, Birds and Fog

Winter Pond, Birds and Fog
Thick tule fog obscures the view of a winter pond, a small island, and birds in flight.

Winter Pond, Birds and Fog. © Copyright 2023 G Dan Mitchell.

Thick tule fog obscures the view of a winter pond, a small island, and birds in flight.

From time to time I make the point that there is always an element of serendipity in nature photography — no matter how much we calculate and plan, in the end there are always things that we cannot control. This photograph is a fine example. I “knew” there would be no fog when I traveled to this location last week. And when I arrived there was none — the sky was almost completely clear in the hours after sunrise. Then, to my astonishment, tule fog spontaneously developed, and within a half hour the area was socked in.

But that’s not the only unanticipated good luck in this photograph. The active flock of red-winged blackbirds just happened to show up on a small island of reeds where I was, at just the right distance to let the fog mute their forms but not render them invisible. They remained just long enough for me to make a few exposures before they departed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Shadows

Dunes and Shadows
Low angle light casts shadows across sand dunes, Death Valley.

Dunes and Shadows. © Copyright 2023 G Dan Mitchell.

Low angle light casts shadows across sand dunes, Death Valley.

Sand dunes provide a virtually infinite range of photographic subjects, from the shapes of the tallest dunes down to the footprints of tiny creatures. In many ways, they are canvas on which the light paints, creating changing patterns of light and shadow and changing colors throughout the day. Sometimes the changes are very slow and the scene can appear static, for example during the midday hours. At other times the light changes so fast that it is easy to miss.

I photographed this dune scene when the sun was low in the sky, casting long and deep shadows across the large and small patterns. Not all dunes are so extensive, but these stretched away into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rocks, Playa, Desert Mountains

Rocks, Playa, Desert Mountains
Afternoon light on desert mountains beyond rocks and playa, Death Valley.

Rocks, Playa, Desert Mountains. © Copyright 2023 G Dan Mitchell.

Afternoon light on desert mountains beyond rocks and playa, Death Valley.

This spot has drawn my attention over many years of visits to Death Valley. It would be easy to miss — it is just a rock-covered hill next to a roadway, in a location where people are most likely looking in a different direction. But I stop here frequently and poke around, looking for photographs. It hasn’t been easy!

One of the challenges here is that, in my view, the best time to photograph here is in the late afternoon, just before the sun drops behind the far ridge. Not only does this bring the challenges of shooting almost directly into the sun, but the black rocks and easy turn into pure black shadows. It is also a bit of a challenge to find combinations of rocks that have some kind of compositional integrity. This photograph comes from an afternoon when some dust and haze highlighted light beams from the late-day sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.