Tag Archives: monochrome

Lake, Clouds, Floating Leaves

Lake, Clouds, Floating Leaves, New England
“Lake, Clouds, Floating Leaves” — Fallen autumn leaves float on still water reflecting a cloud-filled sky

This photograph could probably generate a chapter of commentary, but I’ll keep to the traditional two paragraphs. Recently I was asked about making black and white photographs of autumn “color,” and I said that I do so on occasion, at least in part just to push myself to consider how it can be done — what, besides the color, can suggest the feelings of autumn? In addition, this photograph is also the result of the “wandering around” that I mentioned in the previous post — getting away from the obvious places, even when visiting unfamiliar locations. There’s also something technically different about this photograph, though I think I’ll leave that as a mystery. I’ll bet no one figures out what I’m referring to…

A few days into our October New England visit we left the iconic Kancamagus Parkway area behind and headed north and east on, more or less, a “random ride.” This took us away from the tall ridges of the White Mountains, and into different landscapes featuring lower hills, valleys, and more rivers, creeks, and lakes. Near the northern-most point of our route the roadway crossed a quiet lake. We stopped to make photographs of the leaves littering its surface and the reflections of beautiful clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Burger Man

Burger Man
Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

Burger Man. © Copyright 2022 G Dan Mitchell.

Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

You might be starting to feel the symptoms of a case of photography whiplash if you’ve been following along recently… as I have alternated photographs from some rather diverse subjects: One day it is a backcountry Sierra Nevada photograph, then next something from New England, and after that another street photograph from Manhattan. By now you know that I don’t constrain myself to one genre or subject, and that has certainly been the case over the past month or two. I will, in fact, continue a bit longer.

This photograph comes from New York City, in case you hadn’t already figured that out. We were there for a few days in August before we headed up to Vermont for a weeklong family event. There’s obviously lots to do in Manhattan and the rest of New York City… but for me that “lots” inevitable includes street photography. The genre can focus on a lot of different things, including the wildly divergent subjects found on urban streets. I may also, as others have noted, provoke you to ask some questions about what you are seeing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mural, Parking Lot

Mural, Parking Lot
A large mural featuring two faces, above a Manhattan parking lot.

Mural, Parking Lot. © Copyright 2022 G Dan Mitchell.

A large mural featuring two faces, above a Manhattan parking lot.

One of the things I like to do while making street photograph is look for odd, unusual juxtapositions. There are plenty of these in virtually any big city environment, since these places usually bring together a wide variety of people, activities, structures, and more. Street art and murals add another image element to the mix. There are some oddly disparate elements here: the two large figures, cars on lifts, and a couple of people at the lower left.

The mural on this building’s wall features two figures overlooking the street in a somewhat ominous manner. I don’t know the identity of the one on the right but the one on the left appears to be from Kubrick’s “A Clockwork Orange” — which injects an interesting flavor into this street scene. There are other elements here that I find fascinating. I’ll leave most of them to viewers to discover, but that double vertical “dashed line” of windows is intriguing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Master of All I Survey

Master of All I Survey
A man sits on a bench next to a pile of garbage bags, Midtown Manhattan.

Master of All I Survey. © Copyright 2022 G Dan Mitchell.

A man sits on a bench next to a pile of garbage bags, Midtown Manhattan.

It seems like there is always someone doing something interesting, unusual, compelling, typical, or in some other way worthy of attention in Manhattan. I’m not sure if that reflects on the character of the place or if it is simply a statistical matter — there are so many people there that you are bound to encounter, for better or worse, pretty much everything on the human spectrum. It is even possible to find isolated people, not part of any of the crowds that we associate with the place.

I saw this fellow while walking near the UN Plaza. It was morning — on a Sunday, if I recall correctly — and the area was relatively quiet. There wasn’t much of anything going on along this street, but there he sat, alone and not engaged in any particular discernible activity. In front of him was one of the characteristic morning piles of plastic trash bags, a common feature of this city.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.