Tag Archives: monochrome

Photographs: Nature

Succulent Leaves, Detail

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Succulent Leaves, Detail
Black and white close-up photograph of succulent leaves.

Succulent Leaves, Detail. © Copyright 2022 G Dan Mitchell.

Black and white close-up photograph of succulent leaves.

There is a tension in photographs between viewing them as “captures” of reality and their ability to show subjects as something other than or in addition to their appearance. One of my favorite observations about photographs comes from Minor White: “One does not photograph something simply for ‘what it is’, but for ‘what else it is’.” To observers who want to “get” photography, I suggest keeping this idea front and center.

You may have seen a plant just like the one that was in front of my lens when I made this photograph. We know that the thing in this picture is very small plant, perhaps of a sort we are familiar with. But the idea here is not to show you “what the plant looks like,” much less “what the plant is.” It is — perhaps obviously! — to suggest that you look at the familiar plant for what else it might be.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature

White Flower

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White Flower
The center of a white flower.

White Flower. © Copyright 2022 G Dan Mitchell.

The center of a white flower.

This photograph comes from one of our spring visits to a large formal garden in the San Francisco Bay Area. We timed our visit to coincide with the tulip bloom, but there was a lot more to see. While macro photography isn’t my main thing (which is not to say that I don’t enjoy and appreciate it), photographing flowers gives me a good excuse to break out the macro lens and get close.

To be clear, this is not remotely intended to be viewed as a “realistic” depiction of this flower. If anything, it might be about “flower-ness” — the patterns, shapes, and forms of blossoms. You are looking at the center of a larger flower, and one that was actually subtly colorful. My intention was to begin with what the “capture” gave me to work with, and then use that as a departure point for what I wanted this photograph to be.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Summit

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Dune Summit
“Dune Summit” — Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Beneath The Overhang

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Beneath The Overhang
High overhanging walls of a narrow desert canyon, Death Valley National Park.

Beneath The Overhang. © Copyright 2022 G Dan Mitchell.

High overhanging walls of a narrow desert canyon, Death Valley National Park.

This is a remarkable spot in a lovely desert canyon in Death Valley National Park. After hiking up a wash for some distance and navigating around a minor impediment, the path suddenly enters the “narrows” — sections of the canyon with very high walls only feet apart where little light manages to find its way down from above. Entering the soft light, shades, and quiet of these places is always a special experience.

I have presented almost all of my photographs from my recent pair of visits to the park as color photographs. It is hard to forego color with these subjects, given the remarkable variations in the color of the landscape and the light in the desert. But here I felt that a black and white rendition made sense and suggested those characteristic feelings from being in this deep canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.