Tag Archives: monochrome

Winter Light, San Luis Reservoir

Winter Light, San Luis Reservoir
High clouds, fog, and brilliant light on a winter day over San Luis Reservoir, California.

Winter Light, San Luis Reservoir. © Copyright 2022 G Dan Mitchell – all rights reserved.

High clouds, fog, and brilliant light on a winter day over San Luis Reservoir, California.

Because it lies between the southern San Francisco Bay Area and California’s Great Central Valley — and on the route to many interesting places ranging from the Sierra to Southern California and Death Valley — I have driven past the San Luis Reservoir probably hundreds of times over the years. (I’m old enough to barely recall the area before there was a reservoir, from trips when I was a young child.) Being just another part of the system to transport water in the state, I hardly think of it as one of California’s great scenic wonders.

But in the right conditions and the right light, it becomes difficult to ignore it as a landscape subject. The reservoir is huge and it is surrounded on three sides by mountains. Because of the expansive scale, light can reflect off its surface in ways that mimic what I sometimes see along the Pacific Ocean coast. It also picks up the winter atmosphere, with its fogs and mists, from the Central Valley. And because the road runs more or less along its northern shore, all of this is frequently backlit, as in this photograph that I made in the middle of the day while returning from the Central Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dormant Trees and Fog

Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stairway, Upper West Side

Stairway, Upper West Side
A stairway with curving metal railing and gate, Upper West Side, Manhattan.

Stairway, Upper West Side. © Copyright 2022 G Dan Mitchell – all rights reserved.

A stairway with curving metal railing and gate, Upper West Side, Manhattan.

The story of our “holiday pandemic” visit to New York continues. In our previous episode we heard that after pondering the go-don’t-go question during a week when we carefully watched rising case reports, our decision was to go ahead and do a long-scheduled holiday visit to Manhattan to visit family, including some we had not seen in person in two years. We’re triple-vaccinated, we loaded up with N95 masks, we avoided most of the usual non-family New York attractions, so we were about as safe as we could be — not perfectly safe, since no one is, but generally fine.

Given the unusual circumstances of visiting Manhattan (and The Bronx) during a pandemic, our routines necessarily changed. Every morning began with a quick, masked trip to a downstairs bakery, where we retrieved coffee and pastry that we ate in our hotel room while waiting for the 15-minute rapid tests to complete. When we were not with family, our options for entertainment were somewhat limited, but we eventually worked out a rough walking loop that we followed a few times. It took us through some West Side neighborhoods between Broadway and Central Park, including the street where I photographed this fascinating metal stairway and gate.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Digital Solutions

Digital Solutions
Street scene in Lower Manhattan, evening.

Digital Solutions. © Copyright 2022 G Dan Mitchell – all rights reserved.

Street scene in Lower Manhattan, evening.

Considering that I have recently shared photograph from our December 2021 visit to pandemic-stricken New York City, you might think that this photograph, with its appropriately empty street and sidewalk, might come from that trip. You would be incorrect. This photograph comes from our last visit before the Great Lockdown, back in the late winter of 2019, when we spent a week wandering freely around Manhattan, stopping wherever we wanted to for food and drink, wandering into museums, and mingling in crowds. The quiet scene shown here was, at that time, the exception to the rule.

If I recall correctly, I made the photograph on a relatively long we made from Midtown all the way down to Lower Manhattan, starting in the afternoon and ending around sunset. This photograph comes from that wonderful time of day when it isn’t yet dark — and buildings are still lit by the fading ambient light — but the lights of businesses and offices have started to come on, illuminating interiors and spilling light out onto the sidewalks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.