Tag Archives: morning

Utah Autumn Sky

Utah Autumn Sky
“Utah Autumn Sky” — Early morning autumn sky at Capitol Reef National Park, Utah

This is an example of what you can find when you focus on “the other stuff” — things other than the main subject that you came for. The spectacular and other-worldly summits of Capitol Reef lie out of sight behind my camera position, I turned my camera 180 degrees the other way to encompass this scene. We see a vast (mostly) sandstone Utah landscape, with lenticular clouds above and autumn cottonwood trees lining a stream in the bottom of the valley.

This sky is also an example of that “other stuff” concept. We initially stopped at this point just before sunrise when those clouds were spectacularly colored by red and orange dawn light. That scene was remarkable, but here the sky color has faded almost completely, and the darker tones contrast with the red rock color.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer, Manly Lake

Photographer, Manly Lake
“Photographer, Manly Lake” — A photographer wades in shallow waters of Manly Lake, Death Valley.

As I photographed the landscape another photographer worked her way out onto the shallow water at the edge of Manly Lake. At first I managed to photograph around her, but before long she moved directly into m frame. At this point it occurred to me that she could become the subject of a photograph herself.

Her presence illustrates something that may not be obvious about this desert lake — it is extremely shallow! This makes sense once you think about the nature of the terrain here This is Badwater Basin, a broad playa containing the lowest elevation in Death Valley. It is nearly flat, and differences in elevation on the playa are measured in centimeters. She was able to find places to step that were perhaps only a centimeter or two higher than the water. (From the Department of Awful Puns, it occurred to me that a fun alternative title for this photo could be “Photograph Her, Manly Lake.”)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Distant Mountains, Reflection

Distant Mountains, Reflection
“Distant Mountains, Reflection” — Manly Lake reflects distant mountains and morning haze.

The scale of Death Valley is monumental. It is one of the few National Parks where you encounter distances so great that faraway features disappear into the light and haze. The absence of familiar reference points like trees makes it harder to comprehend these distances. It is perhaps a mile to the nearby hills in this photograph, but the distant mountain range is many tens of miles away.

We arrived before sunrise to photograph the colorful dawn light. Later I turned my camera away from the main scene and back toward these hills whose forms were reflected in Lake Manly. Beyond, the distant Amargosa Range glows softly through the haze in the early morning light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Manly Lake Reflections

“Manly Lake Reflections” — Manly Lake reflects peaks of the Panamint Range, Death Valley.

We arrived before sunrise to photograph at Badwater Basin, featuring Manly Lake, and we continued to photograph well past the golden hour. As the day continues, the colors of the desert landscape soften and become less intense. That was the effect I was looking to capture in this photograph. The light on the mountains is still warm, but the dawn color is gone from the cloud-filled sky and its reflection.

I chose to include a bit of the playa material breaking the surface of the water in order to anchor the scale of the scene. While the mirrored forms of distant mountains and clouds are almost abstract, those bits of material emerging from the shallow water remind us of the reality of the scene.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.