Tag Archives: morning

Levee Road and Tree

My plan was to photograph birds migratory birds on this foggy Central Valley morning. But the fog was so thick when I arrived that I couldn’t even seen the birds. And then, as the fog began to thin, the light was so beautiful — and the birds still so scarce — that I ended up mostly making landscape photographs. I made this one when the shallow fog had cleared enough to reveal the early morning sky, even though the fog bank still covered the landscape beyond the levee road and tree.

I visit this place often at this time of year — a rather nondescript part of the Central Valley. It isn’t just that it’s not the sort of place you would notice as you drove past — it is so far off the beaten track that the odds are you would never even go there. But after years of poking around here I have come to love the landscape, especially on foggy winter mornings like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Cranes, Morning Sky

If you follow my photographs, it is possible that you recall another photograph of these two cranes in morning sky a few weeks ago. Sometimes I use burst mode to photograph birds as they fly past. One advantage is that you have a better chance of getting that perfect moment when things happen quickly. However, a disadvantage is that you end up with a lot of photographs to review! When this pair flew over, out of perhaps a dozen frames there were two that I liked.

The photograph, and its near-twin, are slightly unusual for me. For one thing, I tend to include some landscape or foliage with the birds. But here it is just birds and sky, albeit with some lovely, fluffy clouds. The angle and color of the light were just about ideal. It was coming at a low angle from my right, where the sun was just over the horizon. As a result the warm, early light shone upwards onto the undersides of the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Autumn Moon

When I arrived at a Central Valley location where I photograph migratory birds on this late-November morning I was a bit disappointed to not have thick tule fog. I love to photograph in those conditions, partly because of the atmosphere they provide and partly because they often extend useful photography hours later into the day. But on this morning there was only the tiniest hint of incipient fog, and the view to the sky was rather clear.

I began by photograph ing birds before sunrise. As the sky begins to lighten the birds (mostly geese and cranes) become restless and eventually take off, often in large groups. During a pause in the passage of the birds I noticed the thinning clouds passing in front of the full moon as pink dawn light struck the edges of the clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Autumn Sky

Autumn Sky
“Autumn Sky” — November morning sky and clouds above California’s Central Valley.

The pre-dawn light on this autumn morning in California’s Central Valley did not look all that promising. It was one of those, “OK, but nothing remarkable” days — lovely, but not with quite the magic I hoped for. As I recall, the earliest light of sunrise was muted by clouds to the east over the Sierra Nevada. But before long things began to improve, and I had a few moments of quite intense light shortly after sunrise.

This is an example of a phenomenon that I’ve learned to watch for. It is a circumstance that increases the potential for brilliant dawn or sunset color, though it is far from a guarantee. On a cloudy morning or evening when the cloud layer ends far to the east (at dawn) or west (at sunset), there is a chance that the sun will briefly shine under the clouds as it touches the horizon, lighting the clouds with intensely colorful light from underneath.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.