Tag Archives: motion

Photographs: Abstract, Photographs: Imaginary Landscapes, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Forest

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Morning Forest
“Morning Forest” — An “imaginary landscape” photograph of a foggy morning forest scene, using in-camera motion bur.

From time to time I experiment with ways to portray the landscape in a more abstract fashion. I often refer to these photographs as “imaginary landscapes.” While the line between “real” and “imaginary” can be pretty fuzzy in photography, these photographs make no pretense of portraying the objective facts of the scene. (To be clear, no photograph is fully objective, but I digress…)

In this case I used intentional (or perhaps unintentional — you decide) techniques to blur the details of the scene, leaving the biggest elements intact but leaving a lot to the imagination. The original scene is the edge of the forest next to a small lake on a foggy morning.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: France, Photographs: Night, Photographs: Travel, Photographs: Urban/Street

Ride the Tiger

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Ride the Tiger, a carousel in Paris at Night
“Ride the Tiger” — A woman taking a ride on a Paris carousel at night.

Last December we were out for a cold afternoon and evening walk in Paris, and on our way back towards our hotel we passed a carousel set up in a square near shops and other upscale amenities, apparently as part of holiday season events. I could not resist making a few photographs of the merry-go-round and its patrons.

Most of my night photographs are as sharply focused as the images I create in the daytime. But sometimes I like to take advantage of the low light levels and play with longer handheld exposures that incorporate motion blur. In cases like this one the blur better suggests the motion in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Abstract

Light and Motion

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Light and Motion
Motion blur abstraction of colored light.

Light and Motion. © Copyright 2023 G Dan Mitchell.

Motion blur abstraction of colored light.

What this photograph contains is not exactly clear. I would be flattered if you thought that it resulted from something I did intentionally, but I can understand that you might also suspect that it could have been an accident. Perhaps I accidentally hit the shutter release button while handling the camera and, perhaps, it just happened to pan across something that produced interesting, angular patterns of light and color. Perhaps. One can never be certain.

I often have mixed reactions to camera-motion blur photographs. On one hand obscuring the objective subject is interesting, and often the resulting abstract patterns of color and light can be fascinating. On the other hand, some iterations of the technique have become cliches, and when I see them I sometimes think, “Not another one of those!” And then, someone does “one of those ” that catches my attention!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Birds in Motion

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Birds in Motion
Long-exposure motion blur photograph of geese in flight over winter fields.

Birds in Motion. © Copyright 2023 G Dan Mitchell.

Long-exposure motion blur photograph of geese in flight over winter fields.

This is another long-exposure, late-day bird photograph, in which I lower the ISO and use longer exposures in order to allow motion blur. A flock of (mostly) snow geese was turning into a strong crosswind and the brighter western sky — so the light was interesting and the birds were moving a bit slower that usual. The latter is a distinct advantage when trying to track the birds during longer exposures.

This way of shooting is fun and challenging. The idea is to end up with an image that has some kind of compositional integrity and which suggests the wild motion of the flock. A shutter speed up to about a second can work, and this variable will, of course, control how much blur there is. One challenge is that I can only estimate what the composition will look like since I’m shooting handheld and tracking the birds. Including a bit of the landscape in this photograph helps “ground” the blur of the flock.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.