Tag Archives: motion

Yellow Buildings, Shadows, Moving Clouds

Yellow Buildings, Shadows, Moving Clouds
Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

Yellow Buildings, Shadows, Moving Clouds. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

This seems to be the week for photographs that result from a combination of preparation and serendipity. I made an attempt to photograph these specific buildings a year or so ago. I was not successful, and I managed to get spooked and learn a little lesson in the process. Most of the time night photography at Mare Island, and at many other places, is an incredibly quiet and peaceful and slow experience. There are often very few other people about, and in the darkness you can believe that you are entirely alone. Much of the work is done very slowly – wandering around looking for compositions in the near darkness first, and then patiently (or not so patiently!) waiting for long exposures to complete, sometimes more than once. On that first try here I had set up in an abandoned parking lot next to these buildings on a very quiet evening and was standing quietly by my tripod when I heard the sound of a car moving a somewhat fast. A sixth sense told me to pay attention… and a moment later a car came speeding around the corner of a near by building and into the parking lot! I don’t think I’ve ever grabbed my gear and run so fast! (The resulting photo is sort of funny and captures my panicked escape after perhaps 2/3 of the exposure had completed – the image of the buildings is there, but superimposed on it is a wild pattern of light formed as I spun around carrying the camera without even taking time to close the shutter.)

However, since then I have wanted to try shooting these buildings again. Late in the evening of this most recent shoot I noticed that some translucent clouds were passing overhead. When such clouds are lit from below and have a chance to move during a long exposure they can form very interesting patterns. I quickly wandered over toward that same notorious parking lot… and this time found a safer spot on a raised sidewalk along the front of some buildings… which also gave me a better angle on the buildings. The clouds were moving away and to the right, so I had to work quickly to get set up and start exposures. The first one (not shown here) was a slightly wider shot. Then I thought about the zig-zagging angles and shapes of the buildings roof lines and corners and noticed that the same shapes were mirrored in the shadow cast by a nearby building. With this in mind I decided to try a tighter crop on the buildings, and I ended up with the photograph seen here.

More Night Photography


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Whitewater, Tenaya Creek

Whitewater, Tenaya Creek
Whitewater, Tenaya Creek

Whitewater, Tenaya Creek. Yosemite National Park, California.June 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Turbulent whitewater flows through an area of steep granite along Tenaya Creek, Yosemite National Park.

You can, of course, find a place to shoot subjects like this one all over the Sierra and no doubt in many other places as well. This photograph was made during a period of relatively high water early in the season and in a spot where the water flowed over some rocks in shade. Sunlight on the other side of the stream reflected into the water and revealed highlights, especially the flying spray that I allowed to blur with a somewhat slow shutter speed.

The moving water in Sierra streams and rivers seems to be an almost irresistible subject for many photographers, and I confess that I count myself among them. In some ways it is almost too easy to make these photographs, and one basic requirement is a willingness to make quite a few exposures. The instantaneous motion of the water and the reflections of light simply cannot be controlled or predicted, so one almost has to make many, many exposures. Of course, there is a bit more to it than pointing the camera at water and then repeatedly pressing the shutter release. It is important to find some sort of compositional interest first – it could be where water flows around or over a rock, a place where the light catches the water, or possibly just the twisting forms of turbulent water. Light is extra important in these photographs I think – most often the colors come from a combination of the blue-green shades of water full of foam and from reflected light from things that are out of the frame. (In this photograph, the light mostly comes from sunlight reflected off of granite on the far side of the stream.) Shutter speed is an important consideration, as a short exposure will stop or nearly stop the water and freeze the motion, a somewhat longer exposure can hold some detail but still allow blur along the direction of the flow, and very long exposures can create a misty and diffuse effect.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Twilight Surf

Twilight Surf
Twilight Surf - Long exposure photograph of shoreline surf in twilight, Pacific Grove

Twilight Surf. Pacific Grove, California. December 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Long exposure photograph of shoreline surf in twilight, Pacific Grove.

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

People on Walkway, MoMA

People on Walkway, MoMA
People on Walkway, MoMA

People on Walkway, MoMA. Museum of Modern Art, New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

People walking quickly along elevated walkway at the Museum of Modern Art, New York.

Shooting hand-held and at a very low shutter speed while visiting the museum, I made a series of exposures looking down into the space of the museum with the many criss-crossing walkways and other structural forms lit by a combination of light coming from nearby windows and artificial lighting, in which the people moving through the space are blurred by their rapid motion.

Although I suppose that a lot of my landscape/architecture photographs tend toward high resolution, detail, and sharpness I’m also fond of photographs that eschew that stuff! This image combines several things that interest me quite a bit. One, not surprisingly perhaps, is the view of the urban world as its own type of landscape – my interest in landscape is not limited to only those of the natural world. I’m also fascinated by forms and shapes, especially those formed in this kind of constructed environment. And, finally perhaps, I have this idea that I explore from time to time of contrasting the fixed and solid objects of the man-made world with the transient and dynamic motion of its inhabitants.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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