Tag Archives: motion

Photographs: Nature, Photographs: Night, Photographs: Northern California, Photographs: San Francisco

Seagulls, Night Sky

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Seagulls, Night Sky
Seagulls, Night Sky

Seagulls, Night Sky. San Francisco, California. September 7, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Seagulls fly through artificial lighting at night, San Francisco, California.

I wouldn’t mind if you speculated about how in the world I managed to get this king of lighting on a photograph of birds in flight. Let’s see, it couldn’t be on-camera flash since the light is coming from the side. Perhaps I concocted some elaborate multiple flash setup and then waited for the birds?

I’m afraid that the explanation is much more prosaic. To be honest, we were at a San Francisco Giants game on this evening. We go to Giants games for several reasons: the hope that the Giants might actually play well (not at the moment!), the great views from AT&T park, garlic fries (!)… and for me, photography. I always bring a camera and a lens, and partway through the game I usually take advantage of the upper areas of the stadium to photograph San Francisco and the Bay, often at sunset and dusk.

One more fact. Giants fans who attend games have discovered something astonishing about wildlife, namely that the sea gulls seem to be able to tell when it is the seventh inning or so. At about this point in the game, flocks of them begin to assemble over the park, circling above the field and the stands… and waiting for their chance to feast on the discarded food that is left all over the stadium. (My working theory is that they have somehow learned to associate a full stadium with the appearance of good stuff to eat about two or three hours later. They are apparently as fond of garlic fries as we are.)

So, on this evening when the gulls showed up they began to fly in and out of the stadium lighting, creating a somewhat stark and dramatic effect against the dark sky.

G Dan Mitchell Photography
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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

People, MoMA

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People, MoMA
People, MoMA

People, MoMA. Museum of Modern Art, New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

People moving on multiple levels of lobby and walkways at the Museum of Modern Art, New York.

I’ve been sitting on this photograph for a while, but I’ll interrupt the recent series of Sierra Nevada photographs to insert something more urban.

The photograph was made handheld inside a central atrium-like area of the Museum of Modern Art in New York City, a space from which layers of walkways could be seen. Although the slow shutter speed was somewhat a matter of necessity (but not totally) it also allowed me to let the moving figures blur, which suggests their motion more than would a faster shutter speed. I also removes the specific features of many of the closer people and lets them function more as generic figures in the image. There is more going on in the scene than might be apparent with a cursory glance.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Yellow Buildings, Shadows, Moving Clouds

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““Yellow Buildings, Shadows, Moving Clouds” — Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.

This seems to be the week for photographs involving a combination of preparation and serendipity. I made an unsuccessful attempt to photograph these buildings a year or so ago. I managed to get spooked and learn a little lesson in the process. Most of the time night photography is a quiet, peaceful, and slow experience. There are often very few other people around, and in the darkness you can be entirely alone. Much of the work is done slowly – wandering around looking for compositions in the near darkness first, and then waiting for long exposures to complete. On that first attempt with this subject I had set up in an abandoned parking lot next to these buildings and was standing quietly by my tripod when I heard the sound of a fast-moving car. A sixth sense told me to pay attention… and in seconds a car came speeding around the corner of a nearby building and into the parking lot! I don’t think I’ve ever grabbed my gear and run so fast! (The resulting photo is sort of funny and captures my panicked escape after perhaps 2/3 of the exposure had completed – the image of the buildings is there, but superimposed on it is a wild pattern of light formed as I spun around, carrying the camera without even taking time to close the shutter.)

Since then I wanted to try photographing these buildings again. Late in the evening of this recent shoot I noticed translucent clouds passing overhead. When such clouds are lit from below and have a chance to moving during long exposures they form interesting patterns. I quickly headed toward that same notorious parking lot… and this time found a safer spot on a raised sidewalk, which also gave me a better angle on the buildings. The clouds were moving away and to the right, so I had to work quickly to get set up and start exposures. The first one (not shown here) was a slightly wider shot. Then I thought about the zig-zagging angles and shapes of the buildings roof lines and corners and noticed that the same shapes were mirrored in the shadow cast by a nearby building. With this in mind I decided to try a tighter crop on the buildings, and I ended up with this photograph.

(Edited and updated in January 2025)

More Night Photography

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Whitewater, Tenaya Creek

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Whitewater, Tenaya Creek
Whitewater, Tenaya Creek

Whitewater, Tenaya Creek. Yosemite National Park, California.June 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Turbulent whitewater flows through an area of steep granite along Tenaya Creek, Yosemite National Park.

You can, of course, find a place to shoot subjects like this one all over the Sierra and no doubt in many other places as well. This photograph was made during a period of relatively high water early in the season and in a spot where the water flowed over some rocks in shade. Sunlight on the other side of the stream reflected into the water and revealed highlights, especially the flying spray that I allowed to blur with a somewhat slow shutter speed.

The moving water in Sierra streams and rivers seems to be an almost irresistible subject for many photographers, and I confess that I count myself among them. In some ways it is almost too easy to make these photographs, and one basic requirement is a willingness to make quite a few exposures. The instantaneous motion of the water and the reflections of light simply cannot be controlled or predicted, so one almost has to make many, many exposures. Of course, there is a bit more to it than pointing the camera at water and then repeatedly pressing the shutter release. It is important to find some sort of compositional interest first – it could be where water flows around or over a rock, a place where the light catches the water, or possibly just the twisting forms of turbulent water. Light is extra important in these photographs I think – most often the colors come from a combination of the blue-green shades of water full of foam and from reflected light from things that are out of the frame. (In this photograph, the light mostly comes from sunlight reflected off of granite on the far side of the stream.) Shutter speed is an important consideration, as a short exposure will stop or nearly stop the water and freeze the motion, a somewhat longer exposure can hold some detail but still allow blur along the direction of the flow, and very long exposures can create a misty and diffuse effect.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.