Tag Archives: mount

Trees, Volcanic Terrain

Trees, Volcanic Terrain
Tree line groves in the volcanic alpine landscape of the North Cascades

Trees, Volcanic Terrain. September 10, 2017. Artist Point, Washington. © Copyright 2017 G Dan Mitchell – all rights reserved.

Tree line groves in the volcanic alpine landscape of the North Cascades

I’ll continue to alternate between photographs from several recent photographic projects — the late-August Sierra backcountry photography, a recent trip to Seattle and the Pacific Northwest, and perhaps a few other things. Today’s photograph comes from the Seattle visit, from which I returned just a few days ago. I spent most of the visit in the Seattle, specifically Ballard, where I did some street photography. However, I did get one day to drive out a bit and do some landscape photography. After considering the “big three” options (Rainier, Olympics, and Cascades) I decided to head north, almost to the Canadian border, and the Mount Baker area.

I went to the understandably popular Artist Point area, just beyond the Mount Baker ski area, where there are a number of trails heading out in various directions to visit this spectacular country sitting between the summits of Mount Shuksan and Mount Baker. While my experience with this county is limited — it is a long ways from home! — I love the character of these mountains. They feature dark and rugged volcanic peaks, large glaciers, forests fed by the significant precipitation in this part of the world, and a rather abrupt transition between the world of the forests and that of the glaciers. Artist Point sits very close to this boundary — there are beautiful trees, but much of the country is open and rocky, and not far above are those glaciers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree Line

Tree Line
Near tree line in the North Cascades, Washington

Treeline. Cascades, Washington. September 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Near tree line in the North Cascades, Washington

I have been in the Seattle area for a few days — heading home later today — and getting out to do a bit of photography, with subjects ranging from downtown Seattle street photography to landscapes in the Cascades range. Yesterday the weather was looking good (sun!) and I had the full day free, so I headed up to the Artist Point area in the North Cascades near Mount Baker.

Familiarity with a particular mountain range, in my case the Sierra Nevada, makes the different characteristics of other ranges stand out. The Cascades and the Sierra are both spectacular mountain ranges, but the similarities largely end there. Several things always impress me about this Pacific Northwest mountain range: the suddenness of their rise above forested valleys, the quality of the atmosphere and light (from clouds and lower angle sunlight), the much wetter climate, the lack of granite, and the proximity of big glaciers — they often appear barely above the level of the highest trees and they cover the upper slopes of the highest peaks. (California glaciers are most vestigial, just large enough that we can happily claim to have a few.) This visit was brief — a matter of a few hours — but I managed to get out and wander a bit and make a few photographs. This small clump of trees was catching late-afternoon sunlight filtered through high clouds, with a backdrop of a large valley between my position and the slopes rising to Mount Baker.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Above The Meadow

Morning Above The Meadow
First light comes to ridges and peaks above a subalpine meadow

Morning Above The Meadow. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

First light comes to ridges and peaks above a subalpine meadow

Nothing was yet open along Tioga Pass Road when I visited in late July. Typically all of the campgrounds would be open by this point, but an exceptionally heavy winter snowfall had delayed the process of clearing the road and opening up the high country. There was still a lot of snow at around 10,000′ and higher, and water was running high and fast everywhere. Early in the morning I drove back into the park from my camp site just east of the crest, heading down to Tuolumne Meadows to make some early morning photographs.

I’m often a bit surprised by how few people who camp at Tuolumne manage to make it out to the meadow for first light, missing what is arguably the most beautiful time of the day. On this day, with the campground closed, there was almost no one else at the meadow — I had the place almost entirely to myself. I stopped at the lower end of the meadow and looked back to the east, across the meadow and then a series of successive ridges, including a couple of well-known domes, and finally to the summit of Mount Dana. The sun had just risen on the east side of the range, and its light was beginning to pour over the ridges of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Light, Domes, Lake

Morning Light, Domes, Lake
Morning light on Tenaya Lake, granite domes, and Mount Conness

Morning Light, Domes, Lake. Yosemite National Park. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on Tenaya Lake, granite domes, and Mount Conness

I have been in a bit of a black and white mood recently. Although most of my photographs today are color photographs, my roots are in black and white. Many years ago that is what I learned to develop and print, all the way back to when my father took me into his home darkroom when I was a very young kid. Until I began to use slide film, virtually everything I shot was in black and white, and so many of my early photographic heroes also worked almost exclusively in monochrome.

I order to render the conjunction of shapes and masses, curves and textures in this complex scene of the Sierra Nevada landscape rising from Tenaya Lake, it seemed to me that black and white was the right choice. I made the photograph in the morning — not “crack of dawn” early, but a bit later, when the sun’s rays were clearing the higher ridge to the right and illuminating elements of the scene right down to the lake itself. The distant mass of Mount Conness is slightly obscured by haze, and a thin layer of bright clouds pass overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.