Tag Archives: mountains

View From A High Place

“View From A High Place” — Looking out at Death Valley and the Grapevine Mountains from a viewpoint in a high canyon.

Elsewhere in California on this early winter day the skies were cloudy and rain was in the air. But in Death Valley the skies were (partly) blue and the temperatures were comfortable. We had a little extra time between stops so we headed up to this popular little canyon late in the day. On the way back down we came across this place where the dark canyon opened in the bright valley.

There is a lot of “Death Valley stuff” in this photograph. The distant playa is just above sea level, and in places is covered by impressive sand dunes. The distant desert mountains tower thousands of feet above the lowlands. Because there is little to no vegetation on them, their geology is laid bare. The dark foreground walls are near the opening at the bottom of a grand desert wash.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Winter Desert Sky

Winter Desert Sky
“Winter Desert Sky” — Evening clouds fill the winter sky above Death Valley.

We were in Death Valley just before Christmas 2025. Winter weather there is often beautiful, but it can change rapidly and difficult conditions are also possible — dust storms, rain, and even cold! This was one of those days. We woke up to gray skies and a forecast of rain arriving later that day. We had almost given up on our primary photographic objectives when we looked up and saw light on nearby peaks! There was apparently a brief break in the incoming clouds.

We sprang into action, heading out immediately and stopping at the first opportunity to photograph light on nearby peaks. We saw that it was even clearer to the north, so off we went in that direction. There the enormous desert sky was broken by cloud patterns as the last light gently lit distant mountains.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Virgin River, Zion Canyon

Virgin River, Zion Canyon
“Virgin River, Zion Canyon” — The Virgin river flows past trees and sandstone formations, Zion National Park.

Judging from the muddy water, a substantial amount of Utah landscape appears to be disolved in the Virgin River and flowing out of the park! A walk through the bottomlands of Zion Canyon reveals a riparian landscape subject to periodic flooding. Seeing this, you can begin to understand the role that water has played in forming this remarkable landscape.

On this morning we left our vehicle behind, shouldered photographic gear, and crossed to the far side of the canyon and the river, then followed a trail upstream. It was quiet and there was a lot to see, including a lovely little waterfall at one point.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Manly Lake, Mountains and Clouds

Manly Lake, Mountains and Clouds
“Manly Lake, Mountains and Clouds” — Distant desert mountains and clouds reflected in the surface of Manly Lake, Death Valley.

Lake Manly, the ancient body of water that occasionally reestablishes itself on the floor of Death Valley in wet years, has many moods. Before sunrise or at sunset, if there are clouds, it can reflect intensely colorful light from the sky.. As sunlight strikes the peaks of the Panamint Range, their golden light colors the water. Later in the day, especially if it is hazy, the scene can become soft and pastel.

On this winter solstice morning we began photographing before sunrise and continued through all of the light phases. I made this photograph after the warm sunrise light had dissipated, and when haze made blue the predominant color. The symmetry of the reflections abstracts the shapes of mountains and clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.