This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills
Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.
The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Salt Creek is a remarkable place, a perpetually flowing creek in the middle of the hottest place on earth and the home to thousands of endangered pupfish. But I’ve also found it to be a pretty difficult place to photograph. Light is challenging, especially late in the day, when tall mountains block the light. But I return and keep working at it!
I made this photograph as the first direct light was arriving. Just beyond the area accessible via a winding boardwalk, the creek flows in many branches through this eroded terrain. From here (behind my camera position) it passes through the area where pupfish are found, and shortly after that it flows out into the salt flats.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This photograph epitomizes the extraordinary diversity of Death Valley National Park. It includes two subjects that might surprise those unfamiliar with the place — wildflowers and snow. Because it is known as the place registering the world’s highest recorded temperature, many imagine it to be a place of sand dunes and barren salt playas. Those are part to its landscape, but they are far from the “all of it.”
These wildflowers are desert gold, which was blooming in great fields of yellow in many lowland locations when we visited in late February. I spotted these flowers on a small rise and set up my camera so that they were backed by Telescope Peak, the highest point in the snow-capped Payment Range of desert mountains.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.