Tag Archives: museum

Red Pants

Red Pants
People and their reflections on a walkway at SFMOMA

Red Pants. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

People and their reflections on a walkway at SFMOMA

In my continuing effort to make my landscape photograph fans uncomfortable — just kidding! — here is another urban/street photograph from a recent day in San Francisco. As members of SFMOMA (San Francisco Museum of Modern Art) we got tickets for the members’ pre-opening this week. (The museum officially reopens on May 14, following two years of a major renovation and expansion project.) To answer the obvious first question… the new building is beautiful in almost all ways. (It isn’t perfect, but what is.) We greatly enjoyed our visit, during which we managed to spend time in mostly the new areas, but also revisited a lot of the older structure as well.

I love museums, especially art museums, and I can spend hours in them, looking and thinking and making mental associations. But I also like photographing them — for the interesting architectural features which often produce a lot of very interesting light and geometry, but also as places to watch people. But I often have to be very quick, and that was the case here. I first saw this fellow in the red pants walking my direction, against a background of mostly colorless architecture and flat light. I had just time to make two very quick exposures. Initially I wasn’t hopeful about this one, as I felt that I had almost missed him as he walked out of the frame — but in the end that positioning ended up seeming to be the most interesting to me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Couple on Bench

Couple on Bench
A couple sitting on a bench outside the San Francisco Museum of Modern Art

Couple on Bench. San Francisco, California. May 6. 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A couple sitting on a bench outside the San Francisco Museum of Modern Art

A couple of years ago, the San Francisco Museum of Modern Art (SFMOMA) closed for work on a major expansion and remodeling project. We have been members for some time, and I recall squeezing in one last visit before the long closure — viewing favorite works and making photographs inside the place. The big news is that the remodel is virtually finished now, and the museum officially reopens very soon, on May 14. But an opening like this doesn’t take place all at once. There is a sort of run-up to the actual event that brings people into the new facility over a period of time. As members, it was our turn (along with thousands of others) to get a preview this week.

I may have more to say about the museum in the future, but for now I’ll just say that I like it a lot — both the work exhibited (not that we saw all of it in one day!) and the building itself. There are a number of wonderful touches — many visual connections to the surrounding city (where the previous facility felt more walled off from San Francisco), lots of light, a brilliant system of stairways and spaces along the eastern side, and more. Oddly, almost none of that is in this first photograph I made at the new SFMOMA, which depicts an almost deserted new entrance and seems to show more of the surrounding city environment than the museum itself. More to come eventually…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Columns, Whitney Museum

Columns, Whitney Musuem
Repeating forms of cylindrical columns

Columns, Whitney Museum. Manhattan, New York City. December 27, 2015. © Copyright 20165G Dan Mitchell – all rights reserved.

Repeating forms of cylindrical columns

I admit it — photographing at the new Whitney Museum in Manhattan almost felt like play. The building is interesting in and off itself, but especially interesting on the high and open outdoor terraces that thrust out from the building toward the city. Although there are no people in this photograph — in fact, I had to take some care to ensure that was the case — the location was also a prime place to photograph people.

These columns occupy a corner, up against a wall, on one of the upper floor outdoor terraces. Their positions allow light to shine on them from multiple directions and on this very cloudy day the light was soft and luminous. Although this is the sort of thing that I might prefer to shoot from the tripod, I was working in street photographer mode and therefore had to shoot handheld, carefully lining up the verticals, trying to obscure a few places where the background shone through between the columns, and then waiting for people to pass by and not be in the shot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Black Star, Tiles and People

Black Star, Tiles and People
People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

Black Star, Tiles and People. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

On our December 2015 visit to New York City we had a chance to visit the new Whitney Museum for the first time. We see the early construction phases on several earlier visits when we went to Chelsea and were pleased to find that it is now open. We went there one morning, began on the top floor, and started to work our way down. (I’m a bit notorious for being able to spend what some regard as far too many hours wandering slowly through museums. Eventually the others in my party left. I stayed and finally joined up with them again hours later.)

The museum’s collection is, of course, fascinating. But the building itself also fascinated me — as a structure it its own right, its placement in its Manhattan surroundings, how it is used to display art, its outdoor areas, and the opportunities it gave me to include people in photographs. I did virtually no photography inside the building, but on the outdoor terraces and walkways it was an entirely different situation. These areas were perhaps the most attractive parts of the architecture for me, with upper levels thrusting out over the Chelsea landscape, and lower levels spreading out horizontally. From below it created a sort of industrial landscape of metal angles, and from above the views downwards were quite something. This photograph looks over one of the upper balconies and straight down onto a tile-covered terrace where Frank Stella’s “Black Star” resides and was being photographed and contemplated by visitors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.