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Mustard Canyon

Mustard Canyon
Evening light on the Mustard Canyon area in Death Valley National Park.

Mustard Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the Mustard Canyon area in Death Valley National Park.

This is a place that I photograph from time to time. It isn’t far from spots where I camp, so it isn’t unusual to pass by as I head out or return from some more distant location. A few years ago I stopped and climbed a low hill there late in the day, found it magical, and the hill — which might seem like nothing special to others — is one of my little personal spots in Death Valley. From here the panorama is expansive in all directions, and the slight elevation of the place lets me see even farther.

The view here begins in the foreground with the Mustard Canyon area. The mustard part of the name makes sense — in the ideal light the formations are strikingly yellow. The canyon part seems a bit of a stretch. I’m sure that there is a route followed by water heading out into the valley, but it seems more like a wash than a canyon. The rugged foreground, filled with alternating yellow and reddish material, eventually gives way to giant alluvial fans, and in the far distance the terrain rises to the Amargosa Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Mustard Hills

Mustard Hills - Evening light on the Mustard Hills, Death Valley National Park
Evening light on the Mustard Hills, Death Valley National Park

Mustard Hills. Death Valley National Park, California. January 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the Mustard Hills, Death Valley National Park.

This photograph was made in a fairly accessible and “civilized” part of Death Valley not far from Furnace Creek and the old Harmony Borax Works. I have passed these hills many times, barely stopping aside from a time or two when I did a little loop drive while on my way to some other place. I did photograph in the area once before and even got one or two interesting photographs.

This time I decided to use one of the small, rounded hills as a overlook for shooting some distant shots of various portions of the Valley near sunset. By walking away from the highway, one can end up on top of any number of hills which happily show little evidence of being visited even though they are relatively accessible. I first did a bit of investigation to find the “right” hill, then hiked back to my car to pick up my camera, tripod, and bag of gear. Once I got back to the top of the hill, the shadows of the Panamint Range were already well across the main Valley and moving east quickly. I made a few photographs of the shaded valley and the lower slopes of the range, and then I turned my attention to the nearby yellow-tinted hills, looking for interesting near/far juxtapositions. I found this one literally seconds before the oncoming shadow of the Panamints arrived – in fact, it is beginning to diminish the foreground light in this shot, and in the one I made a few seconds later the light is greatly diminished.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.