Tag Archives: narrow

Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Krämergasse und Ingrimstrasse

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Krämergasse und Ingrimstrasse
Corner of Krämergasse and Ingrimstrasse, Heidelberg

Krämergasse und Ingrimstrasse. © Copyright 2018 G Dan Mitchell – all rights reserved.

Corner of Krämergasse and Ingrimstrasse, Heidelberg

I have walked this street in Heidelberg a few times during three visits in the past few years. Sometimes it is filled with people (and bicycles), but it was very quiet on this day when we used it partly as a way to bypass the busy main street, which was crowded with other visitors. On the corner at the left you can see the sign for a restaurant where we enjoyed a very fine meal on my birthday a few years ago.

There are several things that I like about this simple scene. The streets have a certain neatness and orderliness that seems northern European to me. Not all German cities that I’ve seen look like this — and even parts of Heidelberg don’t — but it is a “type” of street. The light was beautiful, too — coming across the tops of the buildings on the left side of the street, striking the faces of the buildings on the right, but softened a bit by thin clouds. And, at least to my eyes, those bicycles seem to be peeking out from behind the corners and they seem like the only things inhabiting this empty street.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: Travel, Photographs: Urban/Street

Walking Woman, Intersection

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Walking Woman, Intersection
A woman walks past the intersection of two narrow streets in Le Marais, Paris

Walking Woman, Intersection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past the intersection of two narrow streets in Le Marais, Paris

This photograph has many of the features that I often look for in street photography. There is a figure, and the figure is in motion, quickly transiting the scene and providing only a very brief interval to make a photograph. In this case there is only one figure, and by some miracle other people aren’t “cluttering” the composition. The buildings are tall and the streets are narrow, so all of the light is reflected down from above, bouncing back and forth between the buildings to produce a soft effect. (The closest thing to this may be the canyon light of America’s Southwest.) There are interesting little architectural touches that may not be obvious until you spend a bit of time with the image — the lamp at upper left, a bit of graffiti on a wall, etc.

I made the photograph in the Le Marais section of Paris, where older buildings and their narrow streets are preserved — they were not knocked down during earlier modernization projects in the city. It is also an area that is (largely) devoid of big commercial signs like those found on bigger and busier streets. There are signs, but they are often quiet and unobtrusive.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Europe, Photographs: France, Photographs: Travel, Photographs: Urban/Street

Evening Stroll, Montmartre

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Evening Stroll, Montmartre
People walking in the evening along narrow streets of Montmartre, Paris

Evening Stroll, Montmartre. © Copyright 2016 G Dan Mitchell – all rights reserved.

People walking in the evening along narrow streets of Montmartre, Paris

This is another photograph from our 2016 European trip, on which we spent about a week in Paris. It was, I’m almost embarrassed to admit, our very first visit to the city. (It is a long story. But at least we did finally go. And we’ll go back again!) We loved everything about our stay there. When we travel to such places we spend a lot of time walking — to and from locations we want to visit, wandering around once we get there, and exploring neighborhoods near our accommodations or which happen to catch our attention.

I made this photograph “in the neighborhood” near our hotel in Montmartre. My recollection is that we had headed out looking for a place to eat dinner — something of a daily adventure — and were walking around during the sunset and evening hours. This is a great time for street photography, since the lights of businesses have come on, yet the ambient light from fading daylight is still bright enough to illuminate the scene.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Hiker, Natural Bridge Canyon

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Hiker, Natural Bridge Canyon
Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

Hiker, Natural Bridge Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Hiker passes beneath a thick natural bridge spanning a narrow Death Valley canyon

With the exception of a couple of very accessible and popular canyons, many Death Valley Canyons are not visited all that much. Even canyons that are a short distance from major iconic locations and roads are often uncrowded. Canyons that are more remote can be wonderfully lonely places, locations to find the solitude that the desert supplies in such abundance. They are magical places though, to be honest, if you have experienced the red rock sandstone canyons of the Southwest, many of the canyons of Death Valley are more subtle. The canyons are also an undeniable reminder of the tremendous role of water in forming this landscape, odd as that may seem in what is now a desert.

While many Death Valley sights are arguably at their best during or near the golden hour period around dawn and sunset, the canyons can be good a bit later in the morning and earlier in the afternoon. In fact, too close to the sunset/sunrise times and the canyons can be quite dark — perhaps too dark for most photography. But when the sun is a bit higher in the sky the light can strike upper canyon walls and bounce and diffuse down into canyon depths. This light can be soft, gentle, and take on the colors of the canyon rocks. You can see some of that light on the massive bridge that crosses this canyon, and if you look closely you may see a small hiker providing a sense of scale.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.