Tag Archives: narrows

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Slot Canyon

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Desert Slot Canyon
Desert canyon narrows curve past sculpted rock walls, Death Valley National Park.

Desert Slot Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Desert canyon narrows curve past sculpted rock walls, Death Valley National Park.

No, I’m not quite done yet with the photographs from this year’s foray to Death Valley. Visiting the park is an annual tradition for me — sometimes more than once. I often go around the end of winter or beginning of spring, and I would have missed last year’s visit but for the lucky timing that took me there in January of 2020. Since then I had wondered whether the pandemic was going to force a break in the annual ritual, but after being vaccinated it seemed plenty safe to go there and stay (mostly) in uncrowded, out-of-the way places. I was wonderful to be back there!

This is another photograph made in one of the narrows of a canyon that is a bit off the beaten track. (Despite the prominence of some well-known icons in this park, the place is full of other wonders that are far enough from pavement to decrease the number of visitors.) I camped in complete solitude near the entrance to this canyon, and that gave me the chance to explore in in both late afternoon and early morning light. The the narrower sections of the canyon there can be wonderful contrasts between the warmer colors where the canyon walls get a bit of sun and the darker sections that remain in the cool-colored shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Bend

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Canyon Bend
Contrasting warm and cool colors in a narrow section of a desert canyon.

Canyon Bend. © Copyright 2021 G Dan Mitchell – all rights reserved.

Contrasting warm and cool colors in a narrow section of a desert canyon.

During my hikes up and down this canyon I made quite a few photographs of these lovely narrows. I camped at the mouth of the canyon, and this made it possible to hike up twice — once late in the day and again the next morning. The appearance of a narrow canyon like this one depends so much on the nature of the light, and that was almost completely different during the two visits.

Several things intrigue me about this particular narrows. Sections of it are quite angled, with the wall on one side slanting away and on the other side overhanging the bottom of the canyon substantially. In other words, you don’t look straight up to see the narrow band of sky, but instead you look off to one side a bit. I assume that this is a partially due to erosion following natural lines of weakness in the geology and partly due to the tendency of moving water to undercut a side of the canyon. Of even more interest to a photographer, the color of the light in this canyon and others like it is quite variable. In the darkest section the only light comes from the very blue sky, and the light here is quite blue. (I actually toned it down a bit in the photograph.) However, where the light comes in a bit more directly or perhaps through a wider gap the color is much warmer, as we see on the far wall beyond that gap in this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Entering the Narrows

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Entering the Narrows
The path up a desert canyon enters shaded narrows, Death Valley National Park.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The path through a desert canyon enters shaded narrows, Death Valley National Park.

Most of the time I approach places like this by passing across some sort of alluvial fan, then following a wash that narrows as its walls rise. When I think of these approaches, heat, direct and intense sunlight, dryness, and the sound of boots crunching on rocks come to mind, along with a sense of exposure to these elements. The terrain feels like it is mostly about loose materials — compacted soil, conglomerates, cracked faces, and the water-transported rocks all around.

That all changes when entering narrows like these. The open sky may constrict to a narrow channel far above or it may disappear entirely. The walls, having been scrubbed by moving water and gravel, are smooth and curved. The light becomes soft and often quite blue, coming entirely from the blue sky itself, reflected among the faces as it descends into the canyon. It becomes quiet and my own crunching footsteps are likely the only sound. The expansive world of light and sky on the alluvial fans and washes contracts, contained between the close walls and the next bend in the canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Light in the Narrows

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Light in the Narrows
Light filtering down from far above lights the curving path through desert canyon narrows.

Light in the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light filtering down from far above lights the curving path through desert canyon narrows.

Since the start of the pandemic lockdown, the number of days I’ve been able to spend in my favorite landscape locations has been extremely limited. The last time I was able to go to Death Valley — a place I have photographed every year for decades — was in early 2020. Now that I’ve completed my vaccinations it seemed safe and responsible to travel out into that backcountry for a few days of photography, mostly in the places the tourists don’t go. Fortunately, in this park it is possible to put yourself in fairly isolated locations where, for example, you might not encounter another person for 24 hours.

One night I camped alone at the end of a road that dead-ends in the lower reaches of a canyon. This gave me time to explore the canyon twice — first in late-afternoon light and again the next morning when the light came from the opposite direction. Most canyon walking (often more accurately described as wash-walking) in Death Valley is done out in the open, frequently in intense sunlight. But at the right times fo day in the right canyons one can escape that light and enjoy the soft glow of light from above reflected between the canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.