Tag Archives: national monument

Red Strata

Red Strata
Overlapping ridges of red strata in the Utah backcountry.

Red Strata. © Copyright 2021 G Dan Mitchell – all rights reserved.

Overlapping ridges of red strata in the Utah backcountry.

Our plans for this day in Southwest Utah were a bit vague. Initially I had in mind perhaps three or four possible destinations, but recent rainfall (which leads to mud, with its pluses and minuses) convinced me that perhaps a drive on a long, isolated backroad might make more sense than a foray into a deep and narrow canyon. Besides, I knew of at least one canyon along the route that was less likely to be muddy, being a bit wider and shallower. So off we went.

One thing about a couple of photographers driving through a fascinating, beautiful place is that… there are a lot of stops. By the time we got to a decent turn-around point on this drive we realized that it was late enough in the day that we probably wouldn’t have a lot of time to explore on foot on the way back. I made a guess that a particular section of narrow canyon might be easily accessible from our route, though I couldn’t be sure since I had not previously visited that canyon. We stopped, walked a bit, and quickly realized that the entry was a bit more complex than we had in mind. We tried another canyon entrance with similar results — given more time we could have gone in, but time was the one thing we didn’t have. But along the route on the way in I had noticed this impressive are of impressively red and impressively eroded strata, and we had time to stop and photograph it before heading on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Road And Fence, Carrizo Plain

Road And Fence, Carrizo Plain
A gravel road passes through a barbed wire fence, Carrizo Plain National Monument

Road And Fence, Carrizo Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A gravel road passes through a barbed wire fence, Carrizo Plain National Monument.

My inclination is to approach photography in locations like the Carrizo Plain as photography of the “natural landscape.” However, the story is a bit more complicated here and, to be honest, in quite a few places in the areas of the American West where I photograph. I’m hard pressed to think of a place I’ve visited where the “hand of man” was not present in some way. In many places this influence is not obvious. For example, in parts of the Sierra backcountry I can entertain the illusion that I’m the only visitor. But in many places around the periphery of these wildernesses and in many other locations it is clear that such an illusion is hard to maintain.

In the Carrizo this is very clear, even though there is plenty of nature to see there. We could start with the obvious fact that access is by roadways that are, even at their worst, pretty decent. More obviously, this is a place where cattle are raised and, no doubt, have been for a long time. I drove out onto the plain at this spot to see vast fields of yellow and purple wildflowers and to find a long view of surrounding mountains. When I arrived I found a pair of the ubiquitous water tanks (this time nearly destroyed), and old windmill, a few other structures, and this barbed wire fencing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring Growth, Stormy Sky

Spring Growth, Stormy Sky
New spring grass and flowers on a hillside beneath a stormy sky

Spring Growth, Stormy Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

New spring grass and flowers on a hillside beneath a stormy sky.

This scene somewhat took me by surprise. When I went to the Carrizo I was expecting to experience sunny, dry conditions, and even a bit of warmth. But as I approached I drove through occasional light showers, and soon after I arrived at my campground it began to rain lightly. (This forced a decision – sleep in the back of my 4Runner or set up my tent. The prospect of having to repack a wet tent the next morning forced the decision.) I set up my minimal campsite — which mainly consisted of putting out a few objects to make it clear that the site was occupied — and then I headed out to make late afternoon and evening photographs.

As I headed down the gravel road it was clear that the afternoon weather was going to be “interesting.” At times it was sunny, but then moments later a shower would arrive and drop some rain. As I drove past this flower-covered hill, the sky behind it was covered in very dark clouds, so I stopped to make a photograph emphasizing the contrast. As I set up, beams of sunlight passed over the foreground scene, lighting it up against the darker and more dramatic sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring Bloom, Temblor Range

Spring Bloom, Temblor Range
Spring wildflowers carpet the Carrizo Plain and the Temblor Range

Spring Bloom, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers carpet the Carrizo Plain and the Temblor Range.

When I first looked out over this section of the Carrizo Plain and saw the blue coloration along the lowest area I initially thought that I might be seeing one of the shallow, seasonal lakes that forms in this playa-like terrain. The color was almost right, and the purple-blue color had the shape of a large pond. But something looked wrong about it, and when I found a higher and closer vantage point it became obvious that I was looking at a very large and very dense field of Phacelia blooms.

I was probably there just a few days before the peak of wildflower color, and it almost seemed to me that I could see the difference in the extent and intensity of the bloom from one day to the next. Some of the largest displays are in the flat terrain right down on the plain, but higher up in the surrounding mountains there were also brilliant patches of yellow flowers. Some of them are visible in the creases and folds of the Temblor Range on the far side of this valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.