Tag Archives: national

Canyon Hikers

Canyon Hikers
“Canyon Hikers” — Two hikers walk along a desert wash between high walls in a Death Valley canyon.

It seems to me that when most people think of Death Valley National Park, the first things that come to mind are familiar desert icons, the sand dunes, with features like salt flats close behind. But the park is remarkably diverse, with other features that would surprise those who don’t know of them. Among them are the park’s canyons, some of which — like this one — feature extremely high walls.

The weather often dictates what we do on any given Death Valley day. On this one we had clouds building towards evening rain, so the light on grand landscape subjects was not especially great. So we decided to visit a canyon or two. This one is fairly accessible so we were most certainly not alone. but at times the other visitors disappeared behind curves in the canyon. I decided to include these two hikers in order to illustrate the size of the canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Manly Lake, Mountains and Clouds

Manly Lake, Mountains and Clouds
“Manly Lake, Mountains and Clouds” — Distant desert mountains and clouds reflected in the surface of Manly Lake, Death Valley.

Lake Manly, the ancient body of water that occasionally reestablishes itself on the floor of Death Valley in wet years, has many moods. Before sunrise or at sunset, if there are clouds, it can reflect intensely colorful light from the sky.. As sunlight strikes the peaks of the Panamint Range, their golden light colors the water. Later in the day, especially if it is hazy, the scene can become soft and pastel.

On this winter solstice morning we began photographing before sunrise and continued through all of the light phases. I made this photograph after the warm sunrise light had dissipated, and when haze made blue the predominant color. The symmetry of the reflections abstracts the shapes of mountains and clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wading Lake Manly

Wading Lake Manly
“Wading Lake Manly” — A person wades in the shallow water of Lake Manly, with early morning Death Valley mountains reflected in the water.

Even after photographing for decades, I’m still often astonished by how the presence of a small human figure can crystallize and focus a scene. (To understand this, use your finger to cover the person and note how different the photograph feels.) I’m not sure if it is simply due to adding a focal point or something about how our brains respond to the presence of other people.

Since I was photographing the reflections of the Panamint Mountains in Lake Manly, at first I was mildly annoyed that this person was wandering around in the scene. However, I was able to shoot around her with little difficulty — and after a while I realized that she could be the central element of a photograph suggesting our relationship to this desert landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Peaks and Clearing Storm

Peaks and Clearing Storm
“Peaks and Clearing Storm” — Rain clouds move to the east and sunshine lights desert peaks, Death Valley National Park.

We almost came home early from our recent visit to Death Valley National Park. A significant rainstorm was forecast overnight, and the daytime light was already mostly gray. We decided to stay — after all, we had already paid for our accommodations. We visited a few interesting places in the poor light, and were about to visit one more location and photograph sprouting plants in the soft light. But suddenly and with little warning the sun came out! We changed plans and went looking for subjects in this light, backed by the dark, departing clouds.

The light seemed like it would be transient — after all, the forecast was still for rain. So we took advantage of the first light we saw, and I first set up my tripod literally in front of our lodgings. The light was very beautiful, and not just because it was such a surprise. This late day light was warmer in color, and it contrasted with a dramatic backdrop of darker clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.