Tag Archives: national

Backcountry Lake, Dawn

Backcountry Lake, Dawn
Dawn sky reflected in the surface of a Yosemite backcountry lake

Backcountry Lake, Dawn. Yosemite National Park, California. September 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dawn sky reflected in the surface of a Yosemite backcountry lake

Another morning from a week of such mornings at this Yosemite backcountry lake. My tent was at the end of a granite slab leading back up from the shore of the lake, so it became typical to arise each morning, crawl out of the tent, grab camera and tripod, and walk the slab and then the meadow beyond to the shoreline for morning photography. In this strange weather year in the Sierra every morning was different. One morning it might be clear, another was filled with thick wildfire smoke, and on yet another it was raining.

This was an in-between morning. There was a bit of wildfire smoke — it never went away completely during our stay — and high clouds muted the morning light on the lake itself. The air was not moving, and was September-cold. First light brought a bit of color to the clouds, reflected in the early morning stillness of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer Scot Miller, Yosemite Backcountry

Photographer Scot Miller, Yosemite Backcountry
Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park

Photographer Scot Miller, Yosemite Backcountry. Yosemite National Park, California. September 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park

I have been fortunate to get to know photographer Scot Miller over the past few years. I write “photographer,” but a more complete accounting would include videographer, author, and much more. I met Scot through my association with a group of photographers who have been photographing in the Yosemite backcountry for the past 15 years or so — sometimes referred to as the “First Light” photographers in recognition of their beautiful book, First Light: Five Photographers Explore Yosemite’s Wilderness(The others are Charles Cramer, Karl Kroeber, Mike Osborne, and Keith Walklet.)

This past September three of us (Scot, Charlie, and myself) spent a bit more than a week base-camped at a backcountry Yosemite National Park lake making photographs. By staying in one location for so long we become acquainted with the location in ways that would not be possible in the normal backpacking mode, in which one tends to move from place to place daily. Instead we have the opportunity to let the character of the place sink in, to wander slowly, to return to spots we saw earlier, and to experience a range of conditions — which on this trip included everything from Sierra sun, though wildfire smoke, to a couple of days of rain. One morning, without planning to do so, Scot and I ran into one another high on this ridge above our lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Columns and Lichen

Columns and Lichen
Basalt columns and bright yellow lichen, Devils Postpile National Monument

Columns and Lichen. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Basalt columns and bright yellow lichen, Devils Postpile National Monument

This photograph is probably the result of at least one accident. We had gone to the Eastern Sierra for a few days to photograph fall color, arriving late in the evening, tired and ready to sleep. We discussed how early we would get up the next morning, but I managed to remain vague about my plans, secretly hoping that I might not wake up on “photographer time,” but perhaps actually sleep in a bit! In fact, that is what happened — and it was probably a good thing since I was tired after three busy weeks including several previous trips over the crest to photograph on the east side of the range.

Of course, once we got up late we still had to figure out what we would photograph. Obviously dawn light was out of the question, and it seemed like we might not get out until the best early and soft light for aspen color had passed. We hatched a very general plan to head over to Devils Postpile National Monument, though I didn’t have real high hopes for it. However, once we arrived we realized that we had actually come at just the right time. This feature, at this time of year, doesn’t get sunlight very early. When we arrived the face was still in beautiful, soft, shaded light but the surroundings were reflecting some light onto the columns. That’s what I call a “happy accident!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ridgetop Trees, Cloudy Sky

Ridgetop Trees, Cloudy Sky
A momentary break in a September storm lights ridgetop trees against a cloudy sky

Ridgetop Trees, Cloudy Sky. Yosemite National Park, California. September 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A momentary break in a September storm lights ridgetop trees against a cloudy sky

In a way, I sneaked up on this stand of trees over a period of several days. A small group of us camped at a backcountry Sierra lake for about a week back in September. The experience of photographing in one limited area for this long is quite different from photographing while actively backpacking or while moving around by vehicle. Each morning one wakes up in the same place, and each morning one heads out into the same landscape, looking for new views of it or for subjects and locations that were not immediately apparent. We also have the opportunity to return to subjects more than once as the conditions change — different times of day, different atmospheric conditions, and so forth.

These trees stand atop a glacially carved ridge above “out” lake and between it and another similar lake below. The rocky terrain limits the growth of trees and they tend to stand apart from one another, often revealing more clearly the shapes of individual trees. I first saw this area and it trees very early on during our visit, and I climbed the low ridge a number of times. Near the end of our stay a storm swept in and we had on and off rain for a couple of day. I went out on this somewhat soggy day, alternately walking around the landscape and using that very landscape to hide from the intermittent showers that passed through. I hiked up the hill in the rain, using a thicker bit of forest for cover, and I emerged into the open as the clouds thinned a bit and the rain momentarily diminished, and the landscape lightened as weak sunlight shone. This clump of trees stands resolutely near the very top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.