Tag Archives: national

Lenticular Clouds and Ridge

“Lenticular Clouds and Ridge” — A series of lenticular clouds build above the Sierra Nevada crest at sunset

This scene was a visual benediction at the end of a very long June day in Yosemite National Park. We began all the way over in Oakhurst, where we had been the previous evening to attend the artist reception for an exhibit at Stellar Gallery that includes eight of my photographs. Afterwards we shared a late-night Mexican dinner with friends and fellow photographers. The next morning we got up relatively early (but not all that early by photography standards!), grabbed a quick breakfast, and headed out of town with a general plan to photograph along Tioga Pass Road.

We drove through most of the morning good light as we headed into the park, climbed past the turnoff to Glacier Point Road, descended briefly to the Valley, climbed Big Oak Flat Road, and finally turned east onto Tioga Pass Road. We briefly stopped once or twice along the way, including a bit of photography at Tenaya Lake, then finally stopping at Tuolumne Meadows for lunch. We explored a bit near Tioga Pass before descending to Lee Vining and then making a quick trip up Lundy Canyon before returning to Lee Vining. We then headed back up toward Tioga Pass, timing this leg to arrive back in the high country at the time when shadows would lengthen and the color of the light begin to warm. We photographed a bit just below the pass, but when we noticed a spectacular lenticular cloud building beyond the crest we decided to head to Tuolumne Meadows, where we though the cloud might be more visible and have more interesting foreground. We photographed there until the light left the meadow, and then started to think about the long drive back to the Bay Area. Not more than a couple of minutes down the road we looked back and saw what we sort of expected, namely the intense sunset color on the tops of the ridges of the Sierra crest and the spectacular cloud. We quickly stopped, set up cameras and tripods, and spent a few moments photographing this beautiful final light of the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Arch and Canyon

Arch and Canyon
A large arch above a Utah sandstone canyon

Arch and Canyon. Utah. October 24, 20114. © Copyright 2015 G Dan Mitchell – all rights reserved.

A large arch above a Utah sandstone canyon

I have been down this canyon a couple of times now. The walk begins in what might seem like an inauspicious place in rather plain terrain. Soon the route drops below the level of the plateau and enters the upper portion of a shallow canyon. Continuing to walk into this canyon, the walls soon rise higher and the canyon narrows and twists. Before long the expected sandstone walls appear.

As is usually the case, we followed the course of the creek along the bottom of the canyon, alternately walking in it, walking next to it, or cutting over higher ground between bends in its course. Places like this are full of distractions, and stops are frequently to photograph water seeping over rocks, trees with fall colors, arrangements of rocks and pebbles, reflections and always the sandstone canyon walls. Eventually we reached a familiar personal landmark along the route where we stopped to photograph, eat, and talk. A short distance beyond and the around another bend, and a path led up to a high point, from which there was a view through this arch back into the canyon.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

“Shoreline Reflections, Trees and Rocks” — Silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

This photograph is a personal favorite for a bunch of reasons related to how the photograph came about, the experience of making the photograph, associations with the place, and a print that pleases me a great deal.

I maintain the no photographer’s work is wholly original. What comes closest to being truly original is the personal vision of the artist — that particular way of seeing that the photographer develops. That vision is actually unique, but it is built from experiences and exposure to a visual world that includes the ways of seeing of other photographers and painters and more. I acknowledge and am grateful to a wide range of photographers whose work informs my way of seeing the world.

Among them is Charlie Cramer, who I’m fortunate to count not only as a photographic influence, but also as a friend. Charlie’s way of seeing light appeals to me a great deal, and among the photographs of his that stick in my mind is one of some very similar trees at this exact lake. When I’m in a place where another photographer’s photograph immediately comes to mind I often feel cautious about making a photograph that might look too much like their work — and this one may be an example of “influenced by” but “not like.”

Continue reading A Photograph Exposed: “Shoreline Reflections, Trees and Rocks” →

Lake, Rocks, and Clouds

Lake, Rocks, and Clouds
“Lake, Rocks, and Clouds” — Evening clouds reflected in the surface of an alpine lake with a cluster of rocks

I recently revisited this older photograph, one that I had shared in a color rendition in the past, and this time I felt like I wanted to see it in monochrome. This is a sort of scene familiar to anyone who has spent much time in the high country of the Sierra Nevada, that region where lakes, large sub-alpine meadows, sparse trees, and surrounding peaks come together to produce a landscape like no other.

I often visit this lake, typically several times each season. I go there for several reasons, ranging from practical to aesthetic. The lake is not too far from roadways, and sometimes I have just enough time on a late afternoon to park my car, load up my pack, and do the short, steep hike up and over a nearby ridge to get to this alpine world. In fact, Once there I wander this familiar landscape, often revisiting lakes, rocks, streams, and trees that I have visited many times before. As the evening wears on, I know that I should head back to my car before dark, but I am never able to leave quite soon enough, and I end up lingering through sunset and into early dusk, often ending up on the that ridge between me and the road as darkness comes on, and arriving at my car after dark.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.