Tag Archives: national

Ross’s Geese in Flight, Fog

Ross's Geese in Flight, Fog
Ross’s Geese in Flight, Fog

Ross’s Geese in Flight, Fog. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Six Ross’s geese fly above the flock on a foggy Central Valley morning

My EXIF data tells me that I must have made this photograph close to noon. In many cases, landscape and nature photographers, this one included, might well be off taking a nap (necessary after a 4:00 a.m. wake up alarm) or looking for lunch, but not on this day. There had been very thick fog when we assembled near the entrance to this Central Valley wildlife shortly after 6:00 a.m., and it showed little sign of clearing as we made our first circumnavigation of the place, looking for the birds that we could hear off somewhere in the gloom but which were quite difficult to actually see, much less photograph! By the time we worked our way around to the far end of the drive around the refuge, the fog began to thin just a bit – though the sun was still obscured – and we found our first big group of Ross’s geese, feeding and squawking wildly.

At first they mostly remained on the ground, walking en masse across the pasture land in which they had landed. Eventually we saw more of them airborne, flying in from or off to some distant place, or sometimes just moving to a different area of the pasture. Before too long, we saw the first explosive group lift-off with its shock of noise and motion as thousands of the birds lift off almost simultaneously and fill the air, sometimes so thickly that you literally cannot see through the flock at times. From then on, there was more or less steady activity of one sort or another and we had lots of opportunity to track flying birds. This group was making a turn over the flock in front of me, preparing to make their landing in the fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Haze and Trees, Central Valley

Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

Winter Haze and Trees, Central Valley. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Rock and Trees, Afternoon Light

Red Rock and Trees, Afternoon Light - Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park
Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

Red Rock and Trees, Afternoon Light. Zion National Park. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

As much as I have come to love Zion Canyon itself, with its monumental cliffs, winding Virgin River, and cottonwood trees, something still draws me more strongly to the high country such as that found along the Mount Carmel Highway. (I’m sure that the “real” backcountry will eventually appeal to me just as much, but my “getting acquainted” process with Zion is still in its relatively early phase.) This higher elevation terrain, which can at first perhaps seem somewhat overly complex and even “disorganized – if that makes sense – has come to hold more interest for me photographically, though it has been a bit more difficult to figure out how and when and where to photograph it. I was intrigued by these wonderfully complex sandstone patterns of curves and lines when I first saw them, but initially had a hard time seeing coherent photographs among them.

Since my first visit – less than a year ago, believe it or not – I have now had the opportunity to revisit this area on quite a few days, and I feel like I’m starting to “get” its rhythms. Initially it was a matter of passing along the roadway through the park and catching glimpses of juxtapositions of features, bits of light or color, and various canyons and prominences and thinking “there must be a way to photograph that.” Return visits, in various types of light, during two seasons, and at all hours of the day have helped me figure it out. Among my favorite subjects here (and elsewhere!) are backlit trees, here combined with some low ridges and the swooping curves and textures of the wonderful red rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backlit Trees and Sandstone, Afternoon

Backlit Trees and Sandstone, Afternoon - Afternoon sun back-lights trees and brush in the sandstone high country of Zion National Park, Utah
Afternoon sun back-lights trees and brush in the sandstone high country of Zion National Park, Utah

Backlit Trees and Sandstone, Afternoon. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Afternoon sun back-lights trees and brush in the sandstone high country of Zion Naitonal Park, Utah

I love this “sea of sandstone” country from the higher elevations of Zion National Park, especially early or late in the day when the low angle sun catches the tips of the needles and leaves of the trees and bushes. The rock formations have a combination of sculpted large features and rough and angular small features that I like as well.

Several times this year I had the opportunity to spend good portions of days along the Mount Carmel Highway through the park. Between the well-known tunnel and the east border of the park, the surroundings are filled with this sort of landscape: small canyons, deeply worn stream beds, knobs of stratified red sandstone, and trees and plants managing to grow anywhere they can get a bit of soil on this rocky terrain. As I travel this road it seems that juxtapositions of these components are constantly forming, sometimes so quickly that I don’t have time to stop. However, because I have been over this road quite a few times now, I’m beginning to understand a bit more where and when to look. The idea here was to line up a couple of almost parallel hill structures, each topped by backlit trees, against the backdrop of shadowed and stratified rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.