Tag Archives: nature

Shoreline and Trees, Morning

Shoreline and Trees, Morning
“Shoreline and Trees, Morning” — Warm morning backlight on trees along the shore of a subalpine Sierra Nevada lake.

This will be one of (but perhaps not quite the) last photographs I’ll share for now from my July backpack trip. A group of us went into the Eastern Sierra Nevada just outside of the northeast boundary of Yosemite National Park. sWe did a low-mileage four-day trip, which left me with plenty of morning and evening time for photography. But even with two mornings and two evenings in this particular spot I didn’t have all of the time that I could have used.

I have visited this area many times over the years, so I had some ideas about what I might photograph. This raised shoreline area, located between the lake and large meadow below it, was on my short list. I got distracted by other subjects on the first morning and missed the brief moment of ideal light when the shoreline is highlighted and the background remains in shadow. I wasn’t going to make that mistake again on the second morning, so I was there and ready when the light arrived.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Cedar Breaks

Cedar Breaks
“Cedar Breaks” — Eroded sandstone strata at Cedar Breaks National Monument.

Cedar Breaks seems to me a bit of an odd spot. It sits on the edge of a high ridge in Utah just south of the Brian Head ski area. While it is spectacular, it is small, and and out of the way, and I think that it gets a bit lost by comparison to the other iconic parks of the state. In fact, it wasn’t a primary destination for us either — it was near a convenient place to spend a few nights on our way between California and points east of here.

But what it lacks in size and fame, it makes up for in spectacular features. A gigantic west-facing gash cuts into the summit of a high plateau. (The difference between that gentle plateau and this feature is remarkable.) Rather than the gigantic solid masses of sandstone found in places like Zion, Capitol Reef, and Arches, here the terrain is softer and the strata seem thinner, giving it a very different character.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Two Ibises

Two Ibises
“Two Ibises” — Two white-faced ibises browsing at the edge of a wetland pond.

This photograph qualifies as one of the first of my 2025-26 fall/winter migratory bird photography. In truth, this subject was a bit of an afterthought — I simply detoured past this location on my way to Yosemite to photograph fall color at the end of October. I did not really expect to see too many birds, but I found plentiful Ibises and egrets.

Ibis plumage is quite something. In flat lighting, the birds can seem almost black. But when the light is just right, the birds’ plumage becomes iridescent, incorporating all sorts of colors: red, yellow. green, maroon. The transformation can be astonishing.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Sandstone, Light and Shadow

Sandstone, Light and Shadow
“Sandstone, Light and Shadow” — Early morning sunlight accentates the color of a Utah sandstone cliff.

The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.

Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.