Macro photograph of the center of a delicately colored flower.
A few weeks ago I accompanied the local flower photographer — the one I live with — to one of her favorite area botanical gardens where we spent a morning photographing flowers and plants. I’ve been having some fun with this recently, perhaps because i finally got the right lens for photographing this subject close-up!
Many things intrigued me about this flower. The remarkable patterns in the flower’s center, of course, were prominent. But working in soft light, at least partially created by using a scrim for shade, an amazing range of subtle colors became visible — it seemed at first like a white flower, but in this light the presence of tones ranging from blue to pink became clearer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A Sierra Crest peak stands against the sky above a rocky basin and small lake.
This photograph comes from almost a decade ago, when a group of friends ascended into this alpine region just east of the Sierra Nevada crest in the John Muir Wilderness, and area of rocky slabs, talus fields, lakes, and high peaks. We spent several days camped here, exploring nearby terrain. I hope to return again before long, which is perhaps why I resurrected this older photograph.
These areas just below and east of the peaks of the crest present steep and rugged country, with the highest peaks sometimes rising quickly to 7000 feet or more above the valley to the east of the range. This is an area of morning light, as the peaks and high valley generally face toward the rising sun. Late in the day, on the other hand, the sun generally drops behind the peaks well before sunset, leaving soft and shadowed light behind.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Rhododendron flowers liine a trail through Northern California redwood forest.
Late on this June day we went back to this trail that we had visited earlier. We knew that the rhododendrons were in bloom here, that it featured a dark and thick forest, and that there could be glowing light from the west at this time of day. We entered the forest as the light was diminishing — which happens here well before sunset — and hiked a short distance to scope out the possibilities.
As the light began to diminish we turned back toward the trailhead, which was not far away, and we walked back through lush growth and past a section of forest thick with those seasonal blooms. I stopped here to photograph, noticing the graceful branch arching above the trail and the flowers beyond — but also because it seemed like such a typical scene along the trails of these forests, with soft-light, plenty of quiet, and growth everywhere.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.
This is an extra fun post for me to share because it ties a whole bunch of strings together — and it somehow manages to memorialize literally the first instant of my friendship with Keith Walklet. Back n 2008 I had heard from Charles Cramer that he and a group of fellow photographers would be spending a week or so in a Yosemite backcountry location that was very familiar to me, as part of a long term project that took them into the backcountry to make photographs every year. I mentioned that I might just backpack in on my own and look them up. I arrived in the neighborhood, but couldn’t find them, so I went ahead and set up my own solo camp and got to work exploring and photographing. A day or two later I was descending cross-country from a high, rocky lake when I spotted a heavily-laden figure coming up the valley, skirting a lake and heading my direction. Judging from the absurdly large load he was carrying I knew it was either an overburdened backpacker… or a photographer. I suspected the latter.
I quickly made a couple of exposures as he approached — mostly thinking that the figure in this landscape might be interesting. I made this photograph less than a minute before our first meeting. I had never met him, but I guessed he might be part of Charlie’s group and he confirmed. We spoke a bit — I don’t recall many details of the conversation aside from finding out where they were camped and that he was probably heading to the lake I had just left — and then I continued down canyon as he continued up. A day later I caught up with the group at their camp as I began my walk back out to the trailhead. This was the end of my trip, but it was the beginning of a longer, fulfilling journey with this band of friends: Keith, Scot, Mike, Karl, Charlie, and occasionally others. The next summer I hiked in to meet them for a couple days at their next location. The summer after that I still went in on my own, but walked with them and camped with the group for several days. And the next summer I began to participate in these wonderful expeditions every summer, spending a week or more in the glorious Sierra backcountry with a wonderful group of photographers and friends. (And, yes, we’ll be doing it again later this summer. I’ll perhaps have more to say about that later this season.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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