Tag Archives: new york

Holding an Artifact

Holding an Artifact
Holding an Artifact

Holding an Artifact. Wildcat Hill, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Holding a Brett Weston negative — “Brooklyn Bridge, New York, 1946”

During our visit to the Weston Home at Wildcat Hill in late September, Kim Weston shared a wide range of photographs and photographic objects , and accompanying stories, with us in his studio. (That’s him at the lower right of the frame.) He shared and talked about work by many of the Westons, from Edward Weston to himself. He even passed around various photographs and objects for closer inspection, including this negative of a very important Brett Weston photograph, “Brooklyn Bridge, New York, 1946.”

And — no surprise! — he has a lot of stories to tell. If I have this one correct, it goes sort of this way. Brett Weston’s photographs are very much about the print and the initial image in the negative served as source material for the final interpretation. That interpretation was the thing — not the negative. As I understand it, he wanted the prints, not the negatives, to remain as his legacy, and he had announced that we was going to destroy the negatives for many great photographs. He discussed this with Edward (?) Weston, who did not feel the same way about limiting editions and who apparently convinced Brett to let him pick a few negatives to save. Brett agreed, Edward chose, Brett went and brought back the selected negatives… which he had defaced with a hole punch. (You can see the holes near the four corners of this negative.)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Schnitzel Truck Line

Schnitzel Truck Line
Schnitzel Truck Line

Schnitzel Truck Line. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Workers line up at a Manhattan schnitzel truck

I had just stopped nearby to grab a quick coffee and some breakfast, but these downtown workers were apparently already lining up for schnitzel at this mid-morning hour. Food carts and food trucks are ubiquitous in this part of Manhattan, though most are the standard hot dog and pretzel (and more) places. This one offered something a bit different from the usual fare.

The truck itself caught my attention — it isn’t every day that you catch a schnitzel-selling food truck. But there were several other visual elements that seemed interesting to me as well. In a purely visual sense, the complex pattern of the tree shadow on the concrete was striking, almost as if the pattern was part of the sidewalk. (As I shot it I thought about how this “pizza light” might pose similar challenges when photographing in the forest.) The people, obviously, also were intriguing. Except for the second guy in line, who apparently doesn’t want to risk losing his place, each person keeps a rather large distance between himself and the others. The guys at the back of the line busy themselves with their smartphones, and all four of them are visually almost identical, except that one of them is not wearing a pink shirt.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Man With Bag

Man With Bag
Man With Bag

Man With Bag. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man carrying a bag hurries across a Manhattan street

This photograph happened so fast that I can’t even recall exactly where I was, though I suspect I was somewhere a few blocks below the southeast corner of Central Park, where I was headed with a plan of walking around the entire park and photographing what I saw.

One thing I’ll say about busy urban environments such as that in Manhattan — there is bound to be something or someone interesting in front of your camera very quickly. Once you begin to be able to sort out the subjects from the visual background noise, they can start to appear so rapidly at times that there is barely time to photograph them. Many of them suddenly appear and it is a matter of shoot now or lose it. (That happens occasionally in my more typical sorts of photography, but it is rarely so continuous as it is here.) I’m betting that I might have seen this intense-looking fellow before he started to cross the street, and I believe he was in such a hurry that he moved back behind the cars stuck in traffic to cross between them. Aside from photographing him, we had no interaction and he was gone as quickly as he appeared.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Urban Life, Manhattan

Urban Life, Manhattan
Urban Life, Manhattan

Urban Life, Manhattan. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A woman sits in the sun on a stone bench against the wall of an urban building and beneath the shadows of lights and a security camera

I often wonder at the urban environment and how some places seem completely disconnected from the natural world that is how home. (No, I’m not an anti-urban or anti-city person, and I really love visiting New York. But still…) The almost entirely constructed environment is, in many ways, a marvel. The noise, the people, the constant motion can all be energizing. But eventually, at least for me, I reach my limit and I need a quiet time out to recover. And from time to time I need to completely escape from places like this.

I was just below Central Park one morning, where I had gone with a plan in mind of walking the perimeter of the park and photographing. (I almost completed this goal before the day ended, but ran out of time just a bit short of where I had started, when I realized that I was to meet up with some other people.) Before starting up the east side of the park I first went south a bit looking for breakfast and coffee, and I found this small courtyard near when I ate. I saw several things here that drew me to make a photograph — the solitary figure on the bench looking out of the frame, how small the position of her body and her position within the frame makes here appear, the cold and lifeless nature of the space in which she sits, the slightly ominous lights and their shadows above, and the even more ominous small security camera at upper right, probably watching and recording everything… including me as I made my photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.