Tag Archives: night

Commentary

Quick Friday Links and Notes

Leave a comment

Catching up on some links and thoughts I’ve been meaning to post during the past few days:

I see that Andy Frazer posted a piece about a book of photographs from ‘The Presidio’ by Charity Vargas and that Tim Baskerville has posted a longer piece on the same topic at his blog.

(Related to the above, I got the first notice yesterday of another night photography adventure at Mare Island Naval Shipyard scheduled for this Saturday… which included a deadline for participants to submit their application that had passed a week ago. I’m rather disappointed about that, as MI is one of my favorite locations for night photography, I’ve photographed there on several occasions with The Nocturnes, and I’ve been looking forward to going back soon. I’m hopeful that someone will reply to my email and let me know that I can still join them…)

Jim M. Goldstein posted a brief story about and links to photos of a sea otter doing something you don’t see every day and he has posted a new podcast of an interview with Aaron Johnson, the creator of the “What the Duck” photography comic.

One notion about “the right way to learn photography” that comes up a lot… and drives me crazy… is the claim that beginners should start with a single prime and stick to it if they want to understand composition and other important issues. The Readers Digest version of my thinking on this is that it was fine advice a few decades ago, but it is now obsolete. In any case, one of the arguments is that those who use zoom lenses instead of a prime are “lazy” and that they should “zoom with their feet.” I’ve been meaning to put together some photographs to go with a post illustrating the problems with this old-fashioned notion. I made the photos a week or so ago, and I hope to finalize this post before long.

Commentary

What the Heck is Dan Shooting!?

2 Comments

Some of you who like my landscape/nature work may wonder what the heck I’m doing with the “urban photography” that I’ve posted here during the past few weeks. Get ready for more – there are currently about 10 photographs of similar subjects in the pipeline. Perhaps some explanation is in order.

This isn’t really a new thing for me – I’ve posted urban and “industrial” photographs in the past. (See the night photography section in my Gallery for some obvious examples, and also take a look at some of the “City” photographs while you are there.) Quite a few of them are what I think of as urban landscape photography, and to some extent I approach making these photographs much the same way I approach nature and landscape shooting. I wander about looking for stuff that appeals to me, often looking for effects of light, pattern, or color – and then I photograph it.

Besides the obvious subject differences – yes, I do realize that dilapidated buildings are not the same as aspen forests – I shoot differently, at least for some of this photography. While I do sometimes cart a tripod into urban environments, more often I travel light – ironically perhaps, usually lighter than I do when I go out for a weeklong pack trip! I generally do not use a tripod, I virtually never carry all of my lenses, and sometimes I just go out with a prime or two.

I hope you enjoy this change of pace, and that in some way you can see connections to my photographs of the natural world. (There is actually a long philosophical discussion I could have about that very topic, but I’ll spare everyone…) In any case, I’m sure that the flow of landscapes and nature photographs will resume in a week or so.

Locations

Muir Woods Winter Solstice 2008

Leave a comment
Winter Solstice at Muir Woods

Winter Solstice at Muir Woods. Muir Woods National Monument, California. December 21, 2007. © Copyright G Dan Mitchell – all rights reserved.

Last December I first found out about this wonderful annual event at Muir Woods – a winter solstice festival. Although the event starts in the afternoon (officially at 3:00 p.m.), the real fun at sunset and after dark when the trails are lined with luminaria. (Or “candles in paper bags” to those who don’t speak Latin.)

Depending upon the weather, this could be a good day for SF Bay Area photographers to combine winter photography at Muir Woods with a bit of night photography. 

The following information is summarized from the Golden Gate National Parks Conservancy events listing:

Celebrate the longest night of the year with the tallest trees on earth!

Sunday, December 21, 2008, 3 PM – 8 PM, Muir Woods. Cost: Free

This outdoor program is suitable for all ages and will begin at the Visitor Center…rain or shine. Activities and events include the making of solstice crowns, a stage performance of songs, stories, and puppetry, and walking the trails of Muir Woods lit by luminaria. No reservations required.

This evening can be dark and chilly; we ask visitors to bring a flashlight, dress warmly (layers/blankets), and bring a mug for warm drinks. For details, please call the hotline at (415) 388-2596 as the date approaches.

Unless the weather is really, really awful I plan to be there.

Photographs: Central California, Photographs: Night, Photographs: Ocean & Coast

Star Trails and Surf, Pacific Ocean

Leave a comment
Star Trails and Surf, Pacific Ocean

Star Trails and Surf, Pacific Ocean. Pigeon Point, California. November 15, 2008 © Copyright G Dan Mitchell – all rights reserved.

Night photograph of glowing surf and star trails above the Pacific Ocean coastline of California at Pigeon Point.

Every autumn the old beacon at the Pigeon Point Lighthouse south of Half Moon Bay, California is re-lighted for one evening. I first heard of this event last year, and I drove over only to arrive late and find that the lighthouse was fogged in. This year the event occurred on an unusually clear and warm evening so I headed over once again to photograph the lighthouse. We arrived early enough to join the throngs of photographers set up to shoot the amazing beacon from the original fresnel lens… but my heart just wasn’t in it when it came to photographing this scene. It happens. So instead of photographing the lighthouse we decided to wander around and just take in the scene.

A bit later I thought it might be interesting to walk up the coastline a bit and try a shot pointed back at the lighthouse from a greater distance. We found a nice flat spot along the top of the low bluffs north of the lighthouse and set up. But I still just couldn’t see the shot I was looking for, so I decided to instead turn my attention to the ocean itself. I thought that a long exposure capturing the star trails heading for the horizon and the foreground cove might be interesting. I set up and made one 15 minute (!) exposure in landscape orientation, but a couple of offshore boats with lights slowly moved across the scene – not what I had in mind. Having time for one more shot I decided to try one in portrait orientation with the same foreground cove. This time I had better luck. First, no boats! But even better, about 4 or 5 minutes from the end of the exposure the nearly-full moon topped the low ridge behind us and began to add its glow to the atmosphere and the surf! I wish I could say I planned this – but the best I can claim is that when I realized what was happening I modified my plans a little and took advantage of the situation.

keywords: night, photography, surf, star, trails, pacific, ocean, coast, coastline, shore, rocks, sky, glow, pigeon, point, mist, rocks, cove, sea, seascape, landscape, travel, scenic, stock, california, usa, highway, one, 1