Tag Archives: north

Photographs: Nature, Photographs: Sierra Nevada

First Light, Eastern Sierra

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First Light, Eastern Sierra
Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

First Light, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

As I queue up photographs for future posts this morning I seem to be alternating, in a way, between the ridiculous and the sublime. The previous image I posted was one of a broken pumpkin, cast aside next to the curb on the morning after Halloween. The photograph shown here comes from a rather different sort of morning, before dawn in a high place just below the eastern face of the Sierra Nevada, awaiting the arriving of sunrise light on an autumn morning.

Photographs (and, arguably, especially landscape photography) is largely about the light. The great subjects are always there, and many of them stand still for hours, days, seasons, years. But the light is never really the same twice, even though we can recognize certain categories of light. One beautiful sort is the softly colored light that may appear just before sunrise when the conditions in the sky are just right to produce some color. I had arrived at this location quite early, having made a prior plan to photograph here, but I could not know exactly what the light would do. Although my plan was to photograph the first sunrise light on the tops of the peaks, it was this soft, early light that turned out to be the most fascinating.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Solitary Aspen, Dark Forest

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Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada, Photographs: White Mountains

Owens Valley and the White Mountains

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Owens Valley and the White Mountains
The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Owens Valley and the White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Our recent road trip began in the Eastern Sierra Nevada. The reason for starting here was aspen color, and whether or not that ended up being the primary photographic focus the fall aspens are always worth a visit. Having photographed that subject for quite a few years, going to only the “usual places” is no longer quite enough, so I invariably end up heading out and exploring some places where aspen hunters typically don’t go. On this morning we headed up toward the base of the Sierra, passing through lots of aspen-free high desert terrain, and finally reaching a high enough point that we found some small, isolated groves.

In places like this, aspens can take a back seat to the larger and even monumental vistas along the eastern escarpment of the Sierra. With a bit of elevation, views open to the north, south, and (especially) to the high ridges of the White Mountains along the eastern side of Owens Valley. Although this range is in the rain shadow of the Sierra, and thus lacks the Sierra forests and deep snow, it is just as high and rugged. The photograph looks straight across Owens Valley toward the range, where White Mountain, the highest point, is just nudging Into the base of the morning clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove and Rocky Hill

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Aspen Grove and Rocky Hill
A small aspen grove and a rocky hill, high in the Buttermilks.

Aspen Grove and Rocky Hill. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small aspen grove and a rocky hill, high in the Buttermilks.

This photograph comes from “Buttermilk Country” (also known as “The Buttermilks”) in the Eastern Sierra Nevada, an area perhaps best know to climbers for its innumerable bouldering opportunities. I’ve long wondered about the name, but in the past I had only speculated idly that something about the formations here somehow suggested “buttermilk” to visitors… though it is very hard to see any logic in that. I finally looked it up, and apparently the name goes back to the 1870s when a dairy supposedly operated in the area. (It seems like an odd place for a dairy, but I confess that my dairy experience is… limited.)

The area interests me photographically on a number of counts. Perhaps most obviously, it sits right beneath one of the most magnificent sections of the Sierra crest, and open views of these mountains are available throughout the region. Additionally, the rounded boulders and other formations that attract climbers are plentiful and quite different than the usual east side terrain. It also is one of those wonderful Eastern Sierra interfaces between the high desert and the beginnings of the more alpine world. That latter is what we were looking for when we visited recently, navigating far enough on some of the rough roads that we got to where the small aspen groves begin. It was a lovely morning — a dusting of new snow was on the nearby mountains, brilliant sun was shining, and a bit of haze accentuated the distance between near and far subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.