Tag Archives: north

Yosemite Forest, Spring

Yosemite Forest, Spring
Spring plants sprout among the conifers in Yosemite Valley

Yosemite Forest, Spring. © Copyright 2018 G Dan Mitchell – all rights reserved.

Spring plants sprout among the conifers in Yosemite Valley

This photograph is the result of some aimless wandering and of finally visiting a spot that I have wondered about for years. Most of my landscape photography is done early and late in the day, and when the days get longer this can leave me with a lot of free midday time. What I do during those hours varies. If I am camping I may take that time for camp chores, otherwise known as eating, reading, and napping. When I’m in the gigantic landscape of Death Valley I may use this as travel time. On this recent set of visits to Yosemite Valley I used it as hiking time — either with my full complement of photography equipment or perhaps with a smaller camera and a couple of lenses. (Sometimes it is a relief to leave the “big gear” behind for a while!)

Although the light wasn’t favorable at this time of day, I decided to head up the Valley on foot towards a place where the shadows of towering cliffs would block the harsh daytime light a bit earlier in the day. I got there and saw a sigh I had seen before for something called “the fen.” I know that word from literary sources, but I had never (after all these decades!) bothered to investigate it in the Valley. I was in no hurry, so I wandered off in that direction. One of the features of the area is rather dense and, in some ways, lush vegetation. I looked, I finished, I wandered off to look at something else. But in the back of my mind I was thinking about these trees, and a bit later when the cliff shadows had lengthened enough to reach this spot I returned and made this photograph. While big, iconic features evoke Yosemite for us — and with good reason — for me these quiet little out-of-the-way spots in the forest are just as important in defining the place.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Black Oaks and Ghost Trees

Black Oaks and Ghost Trees
A pair of skeletal dead “ghost trees” behind a row of black oak trunks

Black Oaks and Ghost Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

A pair of skeletal dead “ghost trees” behind a row of black oak trunks

This is a subject familiar to virtually anyone who has spent much time in Yosemite Valley, and especially to photographers who have worked there. Generally, the black oaks of the Valley are one of its most characteristic features, tied to its relatively low elevation in the Sierra Nevada. Oaks are lowland trees, but they are still abundant at the elevation of the Valley. You’ll find them in warmer, open areas, often near meadows.

While they are not the most colorful trees, in the right light they can be fascinating. Early in the season the backlit leaves can be intensely colorful, and the same effect is possible in autumn light. Their curving, skeletal trunks can be quite beautiful in snow, where they contact with the near-perfect verticals of conifers. This group of trees grows unusually close together. As a result they have strongly vertical character, likely created as they compete with one another for access to sunlight. I photographed these in early spring, when brown autumn leaves remained on the branches and before the new spring growth appeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Stairway

Blue Stairway
A blue stairway in a softly lit alcove

Blue Stairway. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue stairway in a softly lit alcove

In contrast to much of what I have recently shared, this photograph is not a landscape. Or perhaps it is. OK, it is. I think of photographs like this, at least to some extent, as being “urban landscapes.” In many ways (but not all) I see them in ways that are similar to how I see landscape. I’m looking for form and composition, color, effects of light, some sense of the feeling of the place, and often a quality of stillness. I also think that these photographs, like some of my personal favorite landscape photographs, attempt to look at a familiar place in an unfamiliar way. For example, there is almost nothing in this photograph to tell you that it was made in San Francisco, not far at all from some rather iconic views.

Despite the similarities to my landscape photography, there are also some obvious differences. The distinctly non-natural subject is one obvious clue. Perhaps less obvious is that these photographs are not made in the usual natural landscape manner, relying on tripods, remote releases, and sometimes plenty of time to think and consider. Instead, these are virtually always shot handheld with a small camera. I’m generally on the move when I photograph these subjects, typically pausing only long enough to frame and trip the shutter, and then I continue along. In fact, I barely broke my stride as I passed this scene and made this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.