Tag Archives: north

Restaurant, Spring Evening

Restaurant, Spring Evening
Restaurant with windows open on a spring evening, San Francisco

Restaurant, Spring Evening. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Restaurant with windows open on a spring evening, San Francisco

On foot in the twilight, I’m always intrigued by the worlds inside restaurants and bars, separated from the outside world on the street but visible through windows. I suppose there is a bit of a voyeuristic appeal in this, but I’m also fascinated by the light and by the little vignettes, sometimes almost like separate photographs, that are framed by the windows.

This time I was out with a small group of night and street photographers, and we had just wrapped up some photography of a somewhat iconic view of the San Francisco waterfront. I decided to wander back into areas more conducive to my kind of street photography, so I walked past and briefly photographed a number of places like this one, a small bar (I think) in an old (or at least old-looking) wooden structure attached to the side of a much larger building, and with its windows open to the pleasant air of a spring evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Urban Fishermen, Dusk, San Francisco Bay

Urban Fishermen, Dusk, San Francisco Bay
A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

Urban Fishermen, Dusk, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

During the last weekend of April I joined a group of fellow street photography and night photography enthusiasts in San Francisco. We met up for dinner in the Chinatown district, and afterwards we wandered down to the Embarcadero and the waterfront, busy with tourists at this time of year. Ultimately we ended up in a spot very popular with such folks, a pier the affords walking access to the waters of the bay. I spent perhaps a half hour out there photographing: people, the bay, passing ships and boats, the City skyline.

These urban fisherman are a regular part of the San Francisco urban scene and they represent a sort of intersection between the human and the natural worlds. They are everywhere along the City’s waterfront, and often are fishing within earshot and “eyeshot” of the busy urban scene. Stop and think about what this means and there is a lot to ponder. Even in a busy and fast-paced place like San Fransisco, it is possible to walk a few feet and find yourself standing quietly above the bay in dusk, perhaps with a few friends — one way to help maintain sanity in the urban world. These guys appeared to be finishing up for the evening and were simply standing around and talking as they packed up and as tourists stopped to watch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Shadows, Death Valley

Evening Shadows, Death Valley
The evening view down Trail Canyon, across Death Valley, and to the Black Mountains

Evening Shadows, Death Valley. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The evening view down Trail Canyon, across Death Valley, and to the Black Mountains

The first day of any trip to Death Valley is often a long one for me. Typically it begins with a very early departure from the San Francisco Bay Area for the long drive down the Central Valley, east over Tehachapi Pass and then back to the north to reach the park. This year’s journey to the park was even longer since I took a first-day detour and briefly joined friends on the Carrizo Plain for an evening and a morning of wildflower photography. But the time I was on the road the second day it was mid-morning, and I arrived in Death Valley in the mid-afternoon to find winds and dust kicking up in the Valley. Not looking forward to camping in those conditions, I reconsidered and headed up to Wild Rose Canyon, where the mountains can provide some shelter.

I got there and found plenty of campsites. I grabbed one and just sat around for a while, recuperating from too much time behind the wheel. However, I knew that I wanted to do some photography on this first evening, so I worked up the energy to rise from my camp chair and head out to a favorite spot along the ridge of the Panamint Range. Often my Death Valley visits combine return visits to places I know well and want to continue to explore photographically with visits to places I haven’t been before. This spot is a very familiar one by now, and it seemed like and almost sure bet for this first evening. It was hazy — remember the wind and dust I just mentioned? — but as the color of the light warmed near the end of the day the landscape’s features became a bit more visible. This photograph looks across Trail Canyon in the foreground, with the late-day shadows already concealing the features of the ridge, toward the main portion of Death Valley, with its large salt flats. Beyond lie the Black Mountains and the southern boundary of the park, with further mountains just barely visible through the distant haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Buttes, Evening Light

Buttes, Evening Light
Evening light into Blackwater Wash illuminates buttes above Death Valley

Buttes, Evening Light. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light into Blackwater Wash illuminates buttes above Death Valley

These buttes or hills have fascinated me for a long time. They project out of the gigantic gravel fields of the alluvial fan at the base of the Panamint Mountains known as Blackwater Wash. They are visible from the floor of Death Valley, across its wide expanse to the west, often partially obscured by haze late in the day. From a few high points in the Panamint range they are also visible from above, often poking up above ridges or framed by v-shaped canyons.

I made this photograph from one of those higher positions, a location along the summit ridge of the Panamint Mountains that provides views in all directions, including down into Death Valley itself. This time I was there near the end of the day, as haze filled the valley and the last sunlight of the day came over the summit of the mountain range, casting beams of light down into the canyon and lighting these hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.