Tag Archives: north

Two Bridges, East River

Two Bridges, East River
The East River and Manhattan Bridge, photographed from the Brooklyn Bridge, winter.

Two Bridges, East River. New York City. Deem her 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The East River and Manhattan Bridge, photographed from the Brooklyn Bridge, winter.

During our recent December 2015 week-plus in New York City we stayed only a five or ten minute walk from the Brooklyn end of the Brooklyn Bridge. Primarily that put us in a great area for food and other things and very close to a bunch of subway stations, but it also meant that a walk on the bridge was almost inevitable. On this day we had a date at the Metropolitan Opera in the evening, but we found ourselves with just enough time to wander onto the bridge before we had to go to Manhattan.

This bridge is, of course, a tremendously popular place these days. Even on a cold day after Christmas there were hordes of people walking across. I think I’ve made the classic photograph of the bridge towers and cables before, so I was looking for something that wasn’t that. As I walked along I noticed how the Manhattan Bridge towers (and other urban landscape elements in other photographs not shown here) lined up between the cables, and I soon found this spot that placed parts of the bridge structure in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Man in White, Mosco Street

Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Cranes, Dusk Sky

Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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White Pelicans

White Pelicans
A flock of white pelicans wheels overhead

White Pelicans. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of white pelicans wheels overhead

I’m sure I’ve mentioned this before, but I’m a late-comer to the whole bird thing — and I’m still more of a bird appreciator and photographer than an actual “birder,” in the sense of being able to precisely identify many birds or of building a life list. I have long been aware of the brown pelicans that are found along our California coastline, and I’ve watched and photographed them for years. However, until just a few years ago I was unaware that we had white pelicans right here in California. I first “discovered” them on one of my Central Valley goose photography forays when I spotted some large white birds with big bills off in the distance. It was a late discovery for me, but I’m glad I found them.

Each of the birds that I know from the Valley has its own mode of behavior and of flight. The geese generally fly fast, make a lot of noise, can frequently be approached fairly closely, and tend to flap a lot when flying. Ibises, to me at least, somehow have a mosquito-like appearance in flight. Cranes seem purposeful, often flying in low, straight lines, but swerving so as to avoid flying directly above people. The white pelicans often have a very smooth mode of flight, seeming to coast in without a lot of wing action — much like their brown cousins along the coastline. They do flock, but in much smaller numbers here, generally measured in dozens rather than hundreds or thousands. And when they land they typically seem to keep their distance from humans and their traces. This group, however, put on quite a close-up show. The arrived from out across the ponds, but then began to circle above and around my position, where they remained in flight for quite some time. A bit of backlight shining through their wing feathers compensates for the usual difficulty of photographing the undersides of birds against the bright sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.