Tag Archives: north

Land Meets Sea

Land Meets Sea
Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Land Meets Sea. Mendocino County, California. July 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Having lived not far from the Pacific Ocean for more than a couple of decades, I am lucky to have regular access to the California coastline and its often dramatic meeting of land and sea. Due to proximity, my home territory is the section between just north of San Francisco and down through the upper portions of the Big Sur coast. The shouldn’t be any surprise, given the number of photographs of that area that I have made.

Oddly, for a near-native Californian, I had little experience with the coastline farther north. I had made it up as far as Fort Ross a few times, but every time I went north in the state I headed inland. Some years back we began to rectify this omission with some visits to the Mendocino area. I still haven’t gotten my mind completely around photographing this particular coast, but I’m learning. While we think of the coast as being somewhat civilized, with roads traversing it and passing from town to town, the actual meeting of land and water remains mostly a rugged wilderness. I made this photograph from a spot that it at the edge of one of these wilderness sections, where the roads cut inland and leave the coast to the birds and the sea life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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White Building, Overpass, Empty Lot

White Building, Overpass, Empty Lot
Urban scene, downtown San Francisco

White Building, Overpass, Empty Lot. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Urban scene, downtown San Francisco

This is another urban landscape, and it is at least partially about light. I was walking north toward the central Market Street area of The City when I passed underneath this highway overpass. I had stopped to photograph some interesting columns and fences there, since the area is currently transformed by a major construction project, with lanes close and fences up everywhere.

Emerging from the underpass I looked across the street and back at the edge of the highway above and saw the start nearly-white building, the empty lot, the cyclone fencing, the bridge and the way that all of these forms fit together, especially with the linkage from diagonal lines of the large shadow and its smaller twin, the foreground fencing also descending from left to right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Way (To San Jose)

The Way (To San Jose)
San Francisco freeway entrance

The Way (To San Jose). San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Francisco freeway entrance

OK. How to explain this photograph, especially to people who think of me as a “landscape” photographer? Let me start with the basic facts. I made the photograph on one of my regular walks in The City, which almost always start at the Caltrain station and the head off in various directions. On this morning I headed straight north towards Market Street. But “straight” doesn’t mean fast, and I mostly walked slowly and looked a lot — at things that I might not otherwise see. The light was beautiful, with the early morning sun beginning to break up the San Francisco fog and cast soft light on the urban landscape. At one point I passed this freeway on-ramp, with its obvious potential for puns based on an old popular song

Yes. I’m putting off trying to explain this photograph. I’ll just drop a few hints. First, think in terms of landscape, but “urban landscape.” There is no clear line between the landscapes of people and the landscapes of what we call the natural world, and this is just a bit closer to one end of the spectrum. Then, there is that beautiful light and the lovely Bay Area summer morning sky — the same sky that might appear in a natural landscape not more than a few miles away. And I think if you look closer you might possibly find a few little surprises in the photograph that demonstrate that perhaps there is more there than you might first think. Isn’t that a beautiful curve from lower right and up toward the sky? And how in the world is it that the street and the freeway are empty of cars on a weekday morning in downtown San Francisco. Beyond that, I’ll leave you to figure the rest of it on your own…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastern Sierra Valley, Afternoon Light

Eastern Sierra Valley, Afternoon Light
Afternoon light coming over the Sierra crest illuminates a subalpine eastern Sierra valley

Eastern Sierra Valley, Afternoon Light. Sierra Nevada, California. July 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Afternoon light coming over the Sierra crest illuminates a subalpine eastern Sierra valley

This little spot is not far from the boundary of Yosemite. It is a place that people often stop, but from what I’ve seen they usually stop for reasons other than the view. (Recently I was there very early in the morning, and I found a bunch of impromptu campers there — probably folks who weren’t able to get a campsite inside the park.) Some years ago I “discovered” a couple of views from the spot that I’ve come to enjoy and return to — one looking towards a nearby tall peak from an angle different from the more familiar views, and the other looking westward up this high valley with meadows along the creek, forest leading up the lower slopes, and high and rocky terrain above.

This time I was there in the afternoon, and on a very hazy day. (This has been the Year of Haze in the Sierra, largely due to the dry condition and the consequent early and widespread wildfires.) I love haze, and in many ways I prefer hazy conditions over crystal clear air. so my first thoughts were of how I could use this hazy atmosphere in my photograph. As I stood at this spot with my tripod set up, clouds traversed the Sierra summit, sending shadows across the valley — alternately putting everything in shade and then revealing features and the light crept back across the landscape. So I began to watch the clouds and the approaching beams of light, trying to predict when I might see an ideal combination of the two. At the moment I made this exposure most of the scene was in sun, though a few shadows added relief to the darker areas of the forest across the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.