Tag Archives: ocean

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Pacific Ocean, Clouds

Pacific Ocean, Clouds
“Pacific Ocean, Clouds” — Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Headlands, Cove, Coastal Haze

Headlands, Cove, Coastal Haze
Headlands stretch into the distance beyond a cove and beach, Big Sur

Headlands, Cove, Coastal Haze. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Headlands stretch into the distance beyond a cove and beach, Big Sur

We just returned from a two-day jaunt along the Central California coast. This is familiar territory, as I’ve been visiting this part of California since I was a child, and I have been photographing it almost as long. (Some of my earliest photographic memories include using old film cameras borrowed from my father to make photographs at Point Lobos.) Most of my visits are on day trips, so it is special to be able to spend more than a single day at a time photographing here.

We had unusual conditions and we saw a number of unusual things this time. The remnants of tropical storm Dolores have affected the weather, bringing unusual amounts of tropical moisture to the state and setting of big thunderstorms. We had no such storms on the coast — though they had swept through a day or two earlier — but there was high humidity, a lot of clouds, and warm temperatures. The water was also unusual in several ways. The swell was coming out of the south rather than the typical northwest. Overall the water was relatively calm, and in many places the water’s surface was smooth enough to produce interesting reflections. Sea life seemed unusually abundant: we spotted whales in many places, and large numbers of fishing boats were lined up close to the shore south of Carmel. In the evening as we headed back north towards Monterey the coastal inversion layer began to reassert itself, producing a layer of incipient fog along the coastline and producing haze that enhanced the sense of distance as we looked past successive layers of coastal headlands stretching into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Brown Pelican in Flight, Blue Sky

Brown Pelican in Flight, Blue Sky
Brown Pelican in flight above Moss Landing, California

Brown Pelican in Flight, Blue Sky. Moss Landing, California. July 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Brown Pelican in flight above Moss Landing, California

Here we have (yet) another in the continuing quest to get the exactly right pelican photograph. Actually, I’m joking — I don’t know what “the” right photograph would be, and I do know that there are almost infinite variations in these birds and the ways that they can be seen. Each individual looks at least a bit different, and they appear in all sorts of different surroundings: against the sky, against the water, close up or far away, overhead, at my level, below me when photographed from bluffs, midday or golden hour light, how the bird is orientated relative the light source, and on it goes.

This is another of the big group I photographed at Monterey Bay last summer, when the promise of whales surfacing near the shoreline took us there on short notice. Indeed, the whales were there and they were remarkably close to the shoreline. But nearly as remarkable was the absolutely huge number of birds that also showed up, including the pelicans.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.