Tag Archives: ocean

Sleeping Elephant Seal

Sleeping Elephant Seal
An elephant seal sleeps among its kin on a California beach

Sleeping Elephant Seal. California Coast. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An elephant seal sleeps among its kin on a California beach

Traveling up and down the California coast, it is hard to avoid eventually encountering the elephant seals. Historically they were once very common along this coastline, and their numbers have recovered considerably in recent decades. There are now several places where they are very accessible, and in large numbers — if you ever do the Big Sur Pacific Coast Highway you will certainly encounter at least one such area. In fact, that’s what we were doing on this July trip. We were mainly there to photograph landscapes and seascapes, but that didn’t prevent us from making a photographic detour to photograph these animals.

Here the coast highway comes very close to an elephant seal rookery, and the animals are more accessible than in any other location that I’m aware of. (At others you must walk long distances, and in some places they have hauled up on beaches so isolated that you can only watch from a great distance.) At first I was fascinated by their sparring and other more active things they do. The more I have photographed them, the more I have looked for and sometimes found ways to photograph them even when they are not active — and this specimen, sleeping among others of its herd, is anything but active!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fog, Water, Light

Fog, Water, Light
A beam of light on water below fog, Pacific Ocean

Fog, Water, Light. Pacific Ocean Coast, California. July 212, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A beam of light on water below fog, Pacific Ocean

Living very close to the Pacific coast of California for nearly my entire life, the ocean has always “been there” — just on the other side of coastal mountains, hardly more than a half hour away, bringing cooling evening breezes on hot summer days, and producing periodic morning fog where I live. On one hand I am more familiar with this landscape than most people, but in recent years I began to feel that I know much less about it than I should. These photographs made with the camera pointing straight out to see are something of a them of mine, not as frequent as photographs of mountains perhaps, but important nonetheless. They might include fog or winter swell or clearing storm clouds or simply the brilliant light on the water from the western sun. To me they are all a bit mysterious.

We had spent a couple of days along the Big Sur coast photographing (and eating!). The main part of the visit was over, but we had a full day to get home, and home was only about an hour and a half away. So we took our time and followed the coast almost all the way north to San Francisco before turning inland. During much of the drive we were in the sun, but north of Santa Cruz the fog began to appear, and eventually we arrived at that point where the offshore fog bank was substantial enough to form a virtual wall against the light. We stopped and I photographed as the eastern edge of the fog picked up a bit of light and the sun broke through a few clearings to illuminate the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

California’s brown pelicans are probably my favorite coastal birds, and I love to photograph them — from bluff tops which they pass as the coast along on Pacific winds, to the ocean as they skim just above the water, to places where they can be found resting between flights. These are large birds, with an almost prehistoric appearance, especially when a group of them floats by in a row, sometimes hardly moving at all. We spent a couple of days on the coast in mid-July, and on the last day as we headed home we passed a small, rocky island just of the shoreline. When we saw that it was covered with scores of these birds, so many that some had to land nearby instead of on the island, we grabbed our equipment and spent some time photographing them. I had tracked this pelican on its inbound flight. Most of them came from my right, passed the island, then turned to face into the wind before landing.

This photo also serves as a bit of a technical test, too. I made the photograph with my new Canon 5Ds R, using the EF 100-400mm f/4.5-f/5.6L IS II lens. To get a bit more “reach,” I added a 1.4x tele-extender, which made the longest focal length 560mm. Since this wasn’t possible on my previous camera (which could only autofocus at f/5.6, not the f/8 aperture produced by using the converter), I was interested to see how well this would work — would image quality be sharp enough and would the lens/extender combination focus quickly and accurately enough. In fact, it did work. Quite well, actually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.