Tag Archives: old

Woman in Crosswalk

Woman in Crosswalk
A woman with a walker sets out to cross Broadway in Manhattan.

Woman in Crosswalk. © Copyright 2022 G Dan Mitchell – all rights reserved.

A woman with a walker sets out to cross Broadway in Manhattan.

After not going to New York City for two years during the pandemic, we had made plans to visit once again during the holidays. It seemed safe enough when we made the plans a few months ago, but as the departure date approached the Omicron virus took off and created a worrying spike in infections. We contemplated cancelling the trip, but in the end we decided to go and take exceptional precautions. This was not the sort of New York visit we would normally do. We like to travel around on the subway, cram into crowded restaurants, visit museums, go to concerts… none of which we did on this trip. We masked up consistently, tested daily, and limited ourselves to visits with our “kids” and their spouses.

All of this was not conducive to New York street photography, but I did manage to get out a couple of times with a camera. The city was strange, with everyone wearing masks, most dining done outdoors, and nearly deserted streets. I photographed this woman as she was about to head across Broadway on the Upper West Side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orange F250

A very orange Ford F250 pickup truck

Orange F250. © Copyright 2021 G Dan Mitchell – all rights reserved.

A very orange Ford F250 pickup truck.

This photograph is another from the little “orange exercise” that I and a few of my photographer friends engaged in around Halloween. The objects was to… photograph orange things. It turns out that this was a trickier task than I imagined. Because it was Halloween time, a lot of the potential orange subjects seemed a bit obvious. (Not that this entirely kept me from photographing pumpkins…) The surprise to me was that once I started looking for orange… the exact boundaries between orange and various other colors started to become fuzzy. I’d look at something that seemed orange, only to realize that in a different context it might be regarded as yellow or red or brown. There are objective facts about color, but our perception of it is highly subjective!

Having said that, there is no question in my mind that this truck is orange! I used to occasionally see cars painted in colors like this, but today mostly we see some pretty drab colors — generic white, black, gray, silver and similar. Even blue and green are less common than they once were. So this very orange truck caught my attention while I was out walking in the neighborhood. One more thing: perhaps, like me, if you stare at the shape of this vehicle long enough it may start to look really strange…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cottonwoods and Red Rock Canyon

Cottonwoods and Red Rock Canyon
An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

Cottonwoods and Red Rock Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

There are at least two stories behind this photograph — maybe more. The first one involves a situation familiar to many photographers. When we go into these places carrying a backpack of gear, with a big camera on a tripod hanging over our shoulder, we aren’t exactly in stealth mode. And because lots of people in such places are trying to figure out how to make photographs to record their wonder… sometimes our presence draws them in our direction. I had wandered over to the bank of the Virgin River to photograph something and, sure enough, lots of other folks started showing up in what had been a pretty empty spot. I finished photographing there and headed back toward where I came from, looked back, and saw this big old tree towering above and decided it was worth a photograph. But now there were a few dozen people among those trees!

I made a mental note to remember the tree and come back to it later on as I continued up the canyon. When I did return the crowd had departed and I was able to get the scene I wanted. I’m generally not big on shooting with wide angle lenses, often preferring to limit the composition by using longer lenses and their narrower angle-of-view. But in the confines of a red rock canyon, a large tree like this cottonwood often towers above you, even if you have some space to move back. These big, old cottonwood trees fascinate me, and their varieties of form and setting seem almost infinite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cottonwood Trees and Red Rock Cliffs

Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.