Tag Archives: orange

Peak New England Color

Peak New England Color
“Peak New England Color” — A White Moutains forest of almost-exclusively hardwood trees at the peak of fall color.

This photograph, if nothing else, illustrates some aspects of how New England fall color is different from what I usually photograph in California, particularly in the Sierra Nevada. Out here the colors tend to be relatively uniform, usually yellow to brown, broken by occasional examples of other colors. For example, the great majority of our aspens turn yellow/gold, which is why the occasional red and orange exceptions attract so much attention. And the Sierra trees are far less likely to appear in huge, mountain-covering stands — they more typically line the bottom of a valley, run upslope along a gully or other feature, and are surrounded by green conifers.

So what differences can we see here? First, the hardwoods vastly outnumber the sparse conifer trees. (I like the contrast the latter provide, however.) The hardwood forest stretches for great distances — that area of the photograph is quite large but it is only a small portion of the fall-colored trees I could see here. The tree color is also much more diverse, here including every shade from green through orange and red.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Autumn Leaves, White Mountains

Autumn Leaves, White Mountains
“Autumn Leaves, White Mountains” — Autumn leaves and soaring tree trunks in a White Mountains forest.

This photograph illustrates a few important take-aways from fall photography, things that can be extrapolated to other kinds of photography, too. Again, the location was not iconic, even though it is along/near iconic places. We had stopped after seeing a sign for a pond, but I ended up finding the nearby forest even more interesting. Note that not all of the trees have changed color. As overwhelming as a fully fall-colored forest can be, the colors often stand out when there is some “non-color” in the frame, too. Note, too, that I made this photograph in soft light, which intensifies the colors while opening up the shadows. Finally, I think that some non-color structural elements can help with the composition of photographs of the subject — here that comes from the verticals of the tree trunks.

One thing we learned on this trip — our first to New England in the fall — is how quickly the leaves reach and then pass their peak color. The build-up seems a bit slower, but there was literally one day when it was obvious that the peak had arrived. And only one day later the leaves began to fall more quickly, bare trees became more apparent, and the color was in decline. The show wasn’t over, but the process was clear. Fortunately, because the color doesn’t arrive everywhere at the same moment, flexible photographers and leaf-peepers can move on to different locations that haven’t peaked yet.


G Dan Mitchell is a California photograph


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

thers as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Trees, New Hampshire

Autumn Trees, New Hampshire
“Autumn Trees, New Hampshire” — A dense wall of trees with autumn leaves, New Hampshire.

This vignette of one small bit of White Mountains autumn color is somewhat indicative of the intensity and variety of the color there. My baseline for considering autumn color is California, which means the aspens (and a few other things) of the Eastern Sierra, the maples and oaks and dogwoods of the west slope of the range, and the mixture of native and non-native trees another areas of the state. It is rare to fine large, continuous hardwood forests with a mix of trees in California — almost unheard of, in fact. Yet that seems to be the norm in New Hampshire and other parts of New England we visited. It seems like the period of time with best color may be shorter here, but during the window the variety and intensity is remarkable.

The circumstances of the photography often seemed different in New England, too. (In fairness, this was my first visit, and I can see how my process might adapt to this different landscape over time.) Once I found color in New Hampshire — and, believe me, it was not hard! — in some cases photographing it was almost too easy. Here, for example, I had stopped at a popular roadside pull-out to photograph an open landscape view to the north. When that view turned out to be problematic I turned around and basically looked for colors and patterns to photograph in a large “tree wall” across the roadway!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Trees, Mountains, and Valley Fog

Autumn Trees, Mountains, and Valley Fog
Colorful autumn trees and morning fog in distant valleys, New Hampshire.

Autumn Trees, Mountains, and Valley Fog. © Copyright 2022 G Dan Mitchell.

Colorful autumn trees and morning fog in distant valleys, New Hampshire.

This route across the White Mountains is — as I was warned and then witnessed — a very popular location for viewing New England fall color. While I like to investigate less well-known subjects as I get to know a place, since this was our first-ever visit to this region in the fall we started out by joining the hordes on this road. It is iconic and, as I often say, “there’s a reason it is an icon.” The autumn forests here are, indeed, spectacular and our visit coincided with peak color. (In case you wonder, it only took me a day or two to start exploring a few odd little gravel roads, too.)

While this viewpoint is popular and likely heavily photographed, on a morning like this it presents some aesthetic and technical challenges. The beautifully receding hills beyond the fog-lined valley are almost directly in line with the rising sun. This leads to flare challenges and to high contrasts between shadows and backlit foliage. Nearby trees, as lovely as they are, also impede on some of the longer views. But with the camera in just the right place, using my hand to shade the lens, and an exposure that captured scene data to be optimized in post… I think it works.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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