Tag Archives: orange

Autumn Trees, Mountains, and Valley Fog

Autumn Trees, Mountains, and Valley Fog
Colorful autumn trees and morning fog in distant valleys, New Hampshire.

Autumn Trees, Mountains, and Valley Fog. © Copyright 2022 G Dan Mitchell.

Colorful autumn trees and morning fog in distant valleys, New Hampshire.

This route across the White Mountains is — as I was warned and then witnessed — a very popular location for viewing New England fall color. While I like to investigate less well-known subjects as I get to know a place, since this was our first-ever visit to this region in the fall we started out by joining the hordes on this road. It is iconic and, as I often say, “there’s a reason it is an icon.” The autumn forests here are, indeed, spectacular and our visit coincided with peak color. (In case you wonder, it only took me a day or two to start exploring a few odd little gravel roads, too.)

While this viewpoint is popular and likely heavily photographed, on a morning like this it presents some aesthetic and technical challenges. The beautifully receding hills beyond the fog-lined valley are almost directly in line with the rising sun. This leads to flare challenges and to high contrasts between shadows and backlit foliage. Nearby trees, as lovely as they are, also impede on some of the longer views. But with the camera in just the right place, using my hand to shade the lens, and an exposure that captured scene data to be optimized in post… I think it works.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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New England Woods #7

New England Woods #7
The autumn color explosion begins in the White Mountains of New Hampshire.

New England Woods #7. © Copyright 2022 G Dan Mitchell.

The autumn color explosion begins in the White Mountains of New Hampshire.

Every year at about this time I head to the east side of the Sierra Nevada to photograph fall color, which mostly means aspens. This year’s trip to the “east side,” however, was to the east side of the United States. That’ right, Patty and I finally made it to New England for its famous fall color season. (Don’t worry, I’m still hoping to squeeze in a quick visit to Sierra fall color before long.) Friends have told me for years that I had to see east coast fall color, and an August visit to Vermont’s beautiful forests intrigued me even more. Then I did a B&H podcast (“Fall Foliage East and West with Jerry Monkman and G Dan Mitchell“) and listened to my fellow interviewee, Jerry Monkman, talk about photographing there. After all of that, I guess it was pretty much fated that we would go this year!

I’ll have a lot more to say about New England fall color, the specifics of our visit, and how the East and West Coast experiences compare later on — there’s too much to write in a single post! I made this photograph near the start of the visit, perhaps a day or two before this year’s peak color in this area of the White Mountains. The color variations are, as I already understood, much greater in New England than in the Sierra, and the hardwood forests seem to all change nearly simultaneously. This photograph, like many of my favorites from this trip, was made in soft light and cloudy conditions, which provide some of the most beautiful light for this subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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After the Storm

After the Storm
“After the Storm” — Brilliantly colorful clouds above the Eastern Sierra as a summer storm clears at sunset.

Every so often, if you are out in the field enough, nature serves up light and color that can seem almost unreal. These exceptional moments are rare, but they are memorable when they happen. Sometimes they are predictable, but more often they seem to emerge from conditions that don’t seem likely to lead to extraordinary light — the cloudy aftermath of clearing storms, thin clouds that dissipate at sunset to reveal the sky beyond, beams of light that sneak in under a cloud deck. This was one of those times.

After more than twenty-four hours of mostly rainy conditions, the precipitation stopped and the clouds thinned a bit… and we photographers headed out to see what we could find. At first, the conditions were not promising. Low clouds obscured peaks and the light was a bit flat. But before long the clouds began to thin behind peaks to our west, and there was hope that some light might come through. And then, just at sunset — as the sun dropped below the edge of the cloud deck far to the west — the clouds began to glow in shades of red and orange, against a background of darker clouds. and deepening blue sky. I made several photographs of the landscape that included the clouds, but in this one I decided to just let the clouds be the full show.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Ridge, Fog, Sunset

Ridge, Fog, Sunset
Post-storm fog drifts among trees and domes at sunset, Ansel Adams Wilderness.

Ridge, Fog, Sunset. © Copyright 2022 G Dan Mitchell.

Post-storm fog drifts among trees and domes at sunset, Ansel Adams Wilderness.

The clouds finally began to break up “for real” late on the second day of our recent Sierra Nevada backcountry stay. First the rain stopped, then we began to see a few thin spots in the clouds, and eventually faint areas of blue sky appeared above the peaks through a veil of mist. After more than twenty-four hours of rain, we were ready to head out and make some photographs!

I did not know what the evening would bring so I decided to walk to a high spot with a 360-degree view, from which I might photograph a range of subjects. As the clearing continued, clouds of fog rolled back and forth among the nearby ridges and through the forest. One moment I’d photograph mist in trees, and the next I would turn and photograph light breaking through among the peaks. This scene unfolded to my east as sunset light began to color the fog and clouds over lower ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.