Beyond a dead tree lying in shoreline grasses, an autumn aspen grove rises up a Sierra Nevada hillside
Trying to find different ways to photograph this well-known subject, here I excluded some of the most characteristic features, included both the near and far shorelines, and placed an old fallen tree in the lower part of the frame. If memory serves, that dead tree has been there for a while, and I may have thought of incorporating it during previous visits. The grassy foreground — with grass growing in the lake — produces its own interesting fall colors as it changes from green to brown.
The grove of brilliantly colored aspens across the lake is, at this point, iconic. Indeed, there are frequently quite a few people photographing here. I arrived at an atypical time of day, and on an afternoon when the clouds may have made the conditions seem unpromising to some. As a result there was hardly anyone else there! The clouds worked to my advantage, as they softened the light coming onto the grove from the left, filling the shadows with a bit more light and avoiding the overly bright highlights that are difficult to deal with in full sun.
An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge
Some of you may recognize this aspen grove as being somewhat iconic — though you probably also know that it is often photographed in a somewhat different way. It is also usually photographed at a different time of day from when I was there — on a cloudy afternoon as a weather front was starting to fill in over the Sierra crest, moving conditions toward the potential for some light rain or even a few snow showers a bit later on.
Once again, I photographed in this soft light rather than in full sun. The direct sun can overwhelm the colors of an aspen grove like this one, while the soft light opens and illuminates the shadow areas and can even make the colors seem more intense, especially when some of that soft light is a bit directional and fills in the color from behind. This grove is rarely all in prime color condition all at once, since it covers a range of exposures and elevations. Here it is quite colorful both at the bottom and the top, though there are clearly areas where the leaves have already dropped.
A large Eastern Sierra Nevada aspen grove partway though the fall color transition
This photograph comes from one of the few specific locations for Eastern Sierra aspen color that I’ll typically name and locate without reservations. It is impossible to miss, as it is right next to US 395 between the towns of Bridgeport and Lee Vining, at the high point of this section of the roadway where it crosses Conway Summit. You can pull over to the side of the road — and if you pass by on the best days you won’t be able to resist — and take in a panoramic view up toward the Sierra crest that includes many beautiful aspen groves. (I’m reticent about sending too many people to less-known, fragile, and quiet locations… especially since there are so many great places where you can find aspen color on your own.)
On this afternoon I passed by this spot as I traveled between a couple of other places where I looked for and photographed autumn color. I, too, was unable to resist (another) stop here. You may notice the soft light in this scene. It was overcast and there was light rain falling closer to the crest. On the scene such light can seem drab and dull, but the softer light also fills in the shadows and can provide you with an exposure that allows you to reveal a lot of detail and color in the post-processing phase. Notice also that the color is far from uniform in this large grove, ranging from peak color (and beyond, in a few cases) to very green trees in the distance. It is rare to find an entire large grove producing uniform brilliant color, since the aspens here tend to change color in phases. I’ve come to like and even prefer this less uniform color change pattern, and sometimes I think that the presence of green trees enhances to intensity of the more colorful trees.
A grove of autumn aspen trees descends to the shoreline of a reflecting lake
I’ll use today’s post for several purposes — the usual photograph shared with comments, plus some thoughts and observations about the Sierra Nevada autumn color season. The photograph comes from a well-known location in the Eastern Sierra. I was fortunate to visit on a day when the usual crowds weren’t there, and I had the place almost to myself! It probably helped that I arrived at an unusual time of day, taking advantage of some broken clouds that produced some special light on the river of aspen trees flowing down the hillside to the edge of this subalpine lake. Parts of the grove were past the proverbial prime, but in some ways I like seeing a few bare trees in the scene.
On this past week’s short trip to photograph Eastern Sierra Nevada fall color I thought a bit about what I’ve learned over the years regarding the timing of the annual transition. One thing that I finally have accepted is that it is more or less impossible (with some minor exceptions) to accurately predict the evolution of the color in a particular year. A second thing I’ve realized is that, despite year-to-year variations within the season, the overall color transition tends to take place on more or less the same schedule each year. In other words, leaving aside truly exceptional times such as year five of the recent five-year drought, things tend to start and end on about the same schedule each year — despite the annual initial “observations” about how the season is going to be an unusual one — beginning high and working down the mountains to lower elevations, with other local variations in the evolution. (I confess… I’ve made those predictions, too.)
While the start/end times of the fall color transition tend to be fairly consistent (for example, week two of October is almost always a good bet), there are sometimes variations within that time frame. Some are obvious. For example, a big, windy storm when there are lots of yellow leaves will blow down many of those leaves, and there will be a gap of a few more days before other leaves change color and take their place. Others are more mysterious. I noted a few of those mysteries this year. For example, in one location where I often find trees losing their leaves somewhat earlier than elsewhere, this year there were still some green trees! Yet, in other nearby locations trees that are often coming into form just a bit later… were in full color already!
What to do? My advice is still pretty much the same. Target a time around the end of the first week of October for your visit, expecting that the week starting then is likely to produce good color. Once on the scene, be alert for variations and be ready to change plans. If one area is still green, try going higher. If the trees you visit seem to be losing (or have already lost!) their leaves when you get there, try a lower elevation, a location with larger trees, or a deep east side canyon. And realize that it is almost unheard of for all the trees in an area to be at peak color simultaneously — you are far more likely to find some bare and some green trees mixed in with your trees in prime condition.
What about this year? Based on what I saw last week, this weekend (October 12, 13, 14) should be great in many places. In addition, given the number of purely green trees I saw in various locations, it should be quite possible to still find excellent color in another week.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
