Tag Archives: orange

Autumn Aspens, Reflection

Autumn Aspens, Reflection
A grove of autumn aspen trees descends to the shoreline of a reflecting lake

Autumn Aspens, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A grove of autumn aspen trees descends to the shoreline of a reflecting lake

I’ll use today’s post for several purposes — the usual photograph shared with comments, plus some thoughts and observations about the Sierra Nevada autumn color season. The photograph comes from a well-known location in the Eastern Sierra. I was fortunate to visit on a day when the usual crowds weren’t there, and I had the place almost to myself! It probably helped that I arrived at an unusual time of day, taking advantage of some broken clouds that produced some special light on the river of aspen trees flowing down the hillside to the edge of this subalpine lake. Parts of the grove were past the proverbial prime, but in some ways I like seeing a few bare trees in the scene.

On this past week’s short trip to photograph Eastern Sierra Nevada fall color I thought a bit about what I’ve learned over the years regarding the timing of the annual transition. One thing that I finally have accepted is that it is more or less impossible (with some minor exceptions) to accurately predict the evolution of the color in a particular year. A second thing I’ve realized is that, despite year-to-year variations within the season, the overall color transition tends to take place on more or less the same schedule each year. In other words, leaving aside truly exceptional times such as year five of the recent five-year drought, things tend to start and end on about the same schedule each year — despite the annual initial “observations” about how the season is going to be an unusual one — beginning high and working down the mountains to lower elevations, with other local variations in the evolution. (I confess… I’ve made those predictions, too.)

While the start/end times of the fall color transition tend to be fairly consistent (for example, week two of October is almost always a good bet), there are sometimes variations within that time frame. Some are obvious. For example, a big, windy storm when there are lots of yellow leaves will blow down many of those leaves, and there will be a gap of a few more days before other leaves change color and take their place. Others are more mysterious. I noted a few of those mysteries this year. For example, in one location where I often find trees losing their leaves somewhat earlier than elsewhere, this year there were still some green trees! Yet, in other nearby locations trees that are often coming into form just a bit later… were in full color already!

What to do? My advice is still pretty much the same. Target a time around the end of the first week of October for your visit, expecting that the week starting then is likely to produce good color. Once on the scene, be alert for variations and be ready to change plans. If one area is still green, try going higher. If the trees you visit seem to be losing (or have already lost!) their leaves when you get there, try a lower elevation, a location with larger trees, or a deep east side canyon. And realize that it is almost unheard of for all the trees in an area to be at peak color simultaneously — you are far more likely to find some bare and some green trees mixed in with your trees in prime condition.

What about this year? Based on what I saw last week, this weekend (October 12, 13, 14) should be great in many places. In addition, given the number of purely green trees I saw in various locations, it should be quite possible to still find excellent color in another week.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Woman In Orange Skirt

Woman In Orange Skirt
A woman stands on a London corner next to a pub

Woman In Orange Skirt. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman stands on a London corner next to a pub

We were only in London for a short time on this trip. We’ve visited there several times in the past, and with the last two visits adding up to about two weeks we wanted to save our time for other places later in the trip that were going to be new to us. If that was the case, why stop there at all? The reasons were mostly practical — less expensive flights to London, an easy place to catch a train to our next stop in the Netherlands. But we also wanted to do a couple of specific things while we were there — catch one of the Proms concerts and visit a particular pub.

I don’t recall at the moment precisely where I made this photograph. I suppose I could figure it out by reviewing the photographs before and after and then consulting a map. But I’m not sure it matters too much. The surrounds look fairly typical of central London, aside from the momentary lack of lots of other people. It was the woman’s orange skirt that first caught my attention — it stood out in this scene that otherwise mostly consists of somewhat muted tones.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrian With Bucket

Pedestrian With Bucket
Two men walking, one with safety vest and bucket

Pedestrian With Bucket. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men walking, one with safety vest and bucket

I share this in my ongoing effort to perplex those who like my landscape photography… but aren’t so sure about the other stuff! Don’t worry, my intentions are entirely positive. I’ll remain a bit circumspect, but not entirely so. I like photographing urban scenes for a bunch of reasons, ranging from aesthetic to practical. On the practical side, they are often much more accessible — I can literally step out my front door and make photographs or perhaps find them at the end of a one-hour train ridge. They also challenge me to see in ways that are not in my native comfort zone, and they hone my ability to see quickly… which is a good thing. On the aesthetic side, if you know much about the history of photography and photographers, it is obvious that good work can be done in these places.

As to what is going on in this photograph, you shouldn’t view it though the lens of landscape photography. Well, OK, perhaps you could do that. This is a kind of landscape. It even includes some native “wildlife.” When you look at photographs of natural landscape, you probably look beyond the pure “beauty” of place and subject to consider the abstractions of from and color and implied motion and so forth. It might be worth trying the same thing with other subjects!


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crouching Man in Orange

Crouching Man in Orange
A street scene in San Francisco with a crouching man wearing orange

Crouching Man in Orange. © Copyright 2018 G Dan Mitchell – all rights reserved.

A street scene in San Francisco with a crouching man wearing orange

Today we take a little break from nature photography and head to San Francisco, one of my favorite places to do street photography. I suppose one reason it is a favorite is that it is so close — typically I hop on a train very early in the morning to arrive there around dawn (or a bit later this time of year) and then set out on foot to explore. It is also a favorite because, well, it is San Francisco. What a place — even with recent changes and overcrowding. The City borders to San Francisco Bay, it is full of diverse and interesting neighborhoods, and the people range from locals to out-of-town visitors.

This photograph is bound to seem a bit strange to those of you have stuck with me through a few weeks of redwood forest photography — what happened and what’s going on here?! I don’t want to explain too much — partly because a photograph can often reveal whatever it has to say on its own, partly because I don’t want to clutter it up with too many words, and partly because you can discover some stuff about it on your own if you choose to. Color is one clue…


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.