Tag Archives: orange

Photographs: San Francisco, Photographs: Urban/Street

Construction Zone

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Construction Zone
A man walks past construction barriers in San Francisco

Construction Zone. © Copyright 2019 G Dan Mitchell – all rights reserved.

A man walks past construction barriers in San Francisco.

Like most big cities, San Francisco is in a perpetual state of construction, demolition, and reconstruction. It is fun to imagine a city that arrives in a perfect state and stays there for a while — but that’s not going to happen. Among many San Francisco projects, one of the biggest right now involves constructing an underground transit route under the center of the City, and years of torn up streets have ensued. Although it is possible to imagine the project concluding now, there’s still a lot of work going on.

One major purpose of the route is to extend transit in a more effective manner from the Caltrain station at Fourth and Townsend. I frequently travel to the City by way of the train, and this visit was no exception, so I found myself walking straight up Fourth and past a section where the rails are above ground before they descend into a tunnel. Here the ongoing construction is separated by barriers from the (few) remaining traffic lanes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Wildlife

Birds, Sunset Clouds

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Birds, Sunset Clouds
Birds fly in a cloud-filled winter sky

Birds, Sunset Clouds. © Copyright 2017 G Dan Mitchell – all rights reserved.

Birds fly in a cloud-filled winter sky.

This seems to be largely a photograph of sky, but if you look a bit closer you’ll see lines of birds spread across its width. It is a winter sky, looking west very late in the day, just after the sun has set, and the birds are departing in that direction. Surprisingly, the largest group of them are white pelicans, birds that I usually don’t encounter in quite such large numbers. There are a few sandhill cranes mixed in here and there.

As with some much “nature” photography (here I’m also thinking of landscape subjects) a lot happens very quickly at the margins between day and night, the time when arguably the most interesting light is available. Closer to the middle of the day things tend to change more slowly and there may be more time to contemplate. But during that time between not-enough-light-for-photography and middle-of-the-day stability, the conditions are in constant flux, and it is “now or never” for many photographs. In this image an additional dynamic element was added as I timed the exposure to place the birds beneath the curving shapes of the clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature

Winter Sky, California

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Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night

Roll-Up Door, Night

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Roll-Up Door, Night
“Roll-Up Door, Night” — A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.