Tag Archives: orange

Aspen Trees and Boulders, Bishop Creek

Aspen Trees and Boulders, Bishop Creek
Aspen Trees and Boulders, Bishop Creek

Aspen Trees and Boulders, Bishop Creek. Sierra Nevada, California. October 3, 2010. © Copyright G Dan Mitchell – all rights reserved.

A row of aspens in full orange autumn color stands in front of a boulder field on a rainy evening, Bishop Creek, California.

I have visited this bunch of colorful trees before, but in the past have arrived just past the end of the prime color – but this time I think I hit the upper reaches of Bishop Canyon below South Lake at almost exactly the right time. Not only was the color at its peak, but the overcast, late day illumination, and light rain served to increase the intensity of the colors. I also feel that the background of large gray slabs and boulders provides a nice contrast to the very light tones of the aspen trunks and the gaudy colors of the leaves.

When it comes to fall color, each year seems to have its own personality. Some years feature brighter colors and others seem to be less striking; some seem to start early and others linger. Some years fall seems more like summer; but in others the weather seems to move quickly to winter. It is perhaps too soon to say for sure, but I have a feeling that this fall – at least the early weeks in the eastern Sierra – may go down as one of the most colorful and spectacular in a number of years.

I’ll mention a technical point about this photograph as well. For this image I used one of my favorite landscape lens, especially when I’m shooting more intimate details of the landscape, the Canon EF 70-200mm f/4 zoom. You’ll often hear people say that the best lens for landscape work is a wide angle lens. While the wides have their place, I think it is far too much of a generalization to say that any particular focal length is necessarily the most appropriate for landscape. Basically, any focal length that works with your subject and your concept of the subject is the right lens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Conway Summit Aspens in Rain

Conway Summit Aspens in Rain
Conway Summit Aspens in Rain

Conway Summit Aspens in Rain. Conway Summit, California. October 3, 2010. © Copyright G Dan Mitchell – all rights reserved.

Fall rain and mist mute the colors of the extensive aspen groves above Conway Summit on Highway 395 in the eastern Sierra Nevada.

Just back from the eastern Sierra an hour or so earlier, and I want to get something posted before going to bed – so here is more or less the last photograph I made today. It rained lightly (and sometimes more heavily) all day, starting when I woke up in Bishop Canyon, continuing as I photographed in that general area until the early afternoon, and then following me north as I headed up to the Lee Vining area. Although I saw a few spots of sun as I drove towards this huge aspen grove near Conway Summit, by the time I arrived it was raining steadily. My plan was to decide here whether to continue my aspen hunt into the evening as I drove further north… or to recognize that the weather was going to be an issue and instead head up Tioga Pass and over the pass to return home.

Since it was raining at Conway Summit, after stopping to make a few exposures (including this one) I headed back to Lee Vining and then up to Tioga Pass. This Conway Summit photograph probably illustrates some important variables of landscape photograph in general and aspen photography specifically. Based on visits to this area in previous years, I was expecting less color than I found – while a lot of trees were still green, the higher trees had turned their most intense colors, and sections of the lower groves also were quite colorful. Despite the planning that gets me to places like this at the right time of day and at about the right time of the year, some things cannot be controlled – in this case, it was the weather. Also, even though I came here with a fairly specific shooting plan, once I arrived the conditions were tough enough that I had to work quickly. Fortunately I know this place pretty well, so I was able to find the scene I wanted to shoot without a lot of searching and I was then able to capture a few frames quickly… and get back into the car and out of the rain!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Dusk Clouds, Badwater Basin Salt Flats

Dusk Clouds, Badwater Basin Salt Flats
Dusk Clouds, Badwater Basin Salt Flats

Dusk Clouds, Badwater Basin Salt Flats. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Late light illuminates dusk clouds above the salt flats of Badwater Basin, Death Valley National Park, California.

First, my disclaimer: I really am getting very near the end of the photographs of Badwater Basin shot on this late March evening. Really, I am. I’ve posted a number already, but I don’t see how there could be possibly be more than two additional images at this point. :-)

To recap, for anyone who didn’t catch the earlier posts, I visited this spot near Badwater Basin on an evening that turned out to have a wonderful combination of somewhat unusual salt flat conditions and interesting evening clouds. The “unusual conditions” were due to recent heavy rains in Death Valley that had flooded this section of the the salt flats a few weeks earlier. The flooding had subsided – at this point there was some water below the salt crust but the surface was mostly dry – but the character of the salt “polygons” had been “reset to zero” by the water. What had been very jagged and worn and cracked material had been flattened and smoothed. While the joints between the sections of the salt are clearly still visible, they were almost flush with the surface of the flat at this time.

On top of this somewhat rare condition, I was very fortunate to be there on an evening when there were clouds and, in addition, the cloud conditions evolved beautifully as the evening progressed. I saw this possibility earlier in the afternoon, which was one reason that I chose to shoot here, but you can never really know for sure what will happen… until it happens. The clouds started out thicker than what is seen in this photograph but as the day came to an end they began to thin and separate – enough that the colorful light from the evening sun began to light the clouds during the last moments of the day.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two photographs at .4 and .8 second exposure time

keywords: late, evening, sunset, dusk, clouds, sky, light, orange, blue, pink, badwater, basin, salt, flat, polygon, white, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, mountain, amargosa, panamint, range, horizon, stock

Dusk Clouds, Badwater Basin Panorama

Dusk Clouds, Badwater Basin Panorama
Dusk Clouds, Badwater Basin Panorama

Dusk Clouds, Badwater Basin Panorama. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful dusk clouds against darkening sky above the salt flats of Badwater Basin and the distant ridges of the Amargosa and Panamint mountain ranges.

This was one of the final photographs I made in fading light on this evening. (I made another series a few minutes later when the sky and clouds and salt flats were all various stages of blue – I may ultimately post that image here as well.) The very last light was catching the clouds above Badwater and the central portions of Death Valley, and the color was already fading quickly in the darker area to the east over the Amargosa Range.

As I have mentioned before, the very wide dynamic range between the shaded surface of the salt flats and the bright bit of sunlit cloud and sky at the far left necessitated the use of two exposures which were then combined in post. (Even after this light finally faded I was not yet finished for the day. An hour or so later I was doing night photography under the light of the rising full moon at Zabriskie Point.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two exposures in the 1/2 to 1/4 second range.

keywords: badwater, basin, salt, flat, polygon, pattern, white, texture, panorama, evening, sunset, twilight, dusk, dark, sky, color, orange, pink, blue, amargosa, panamint, mountain, range, ridge, horizon, death valley, national, park, california, usa, north america, landscape, travel, scenic, nature, stock