A brick wall with green windows and a small garden in the Pearl District of Portland, Oregon
This is another photograph from my recent trip to Portland, Oregon. As car-free (and almost carefree) visitors to the city, we did a lot of walking, wandering more than once a day up and down between portions of the Pearl District and the downtown area where we were staying. Since I was carrying a very small and light camera on this trip (my Fujifilm X-E1) I was able to do a lot of “casual” photography of various things we saw on these walks.
There is quite a variety of buildings in and around the Pearl District, including many brick buildings. (To this California near-native, that seems like a disaster waiting to happen, but I digress…) They range from rather old structures to newer architecture seemingly intended to capture that old Portland semi-industrial/working class look. The subject of this photograph is simply the back wall of a large apartment building that we walked past on a partly cloudy and intermittently showery afternoon.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Exterior staircase, broken windows, and peeling paint on the wooden side panels of an abandoned building near Vallejo, California
I had joined up with a group of night photographers that I often shoot with on this evening, and we were sitting around in the late afternoon hours sharing pizza when someone made the radical suggestion of going out to shoot before darkness arrived! In the past, this has been just about the only group of photographers I’ve ever met who would stay inside during a San Francisco Bay area golden hour and sunset period, anxious for the light to go away so that shooting could begin! But on this evening, the radical concept of shooting in the daylight must have seemed so innovative that quite a few of us headed out to find either landscape-style shots over the San Francisco Bay or else abandoned and dilapidated industrial subjects nearby. I opted for the latter, and hoping to cover a bit more ground before dark, rather than walking nearby I drove, trying to figure out where I wanted to be in the fading light.
I ended up near this lonely, abandoned and partially destroyed building that has been left to vandals, who seem to be doing their best to accelerate the natural destructive forces that eventually take such buildings. Many windows are broken, there is spray paint in many places, and the exterior of the building is tremendously weathered and worn. Just a few minutes before sunset I made a series of exposures of this building, using a long lens to isolate smaller sections of the building. The sunset light turned the otherwise-dull building a much more intense shade of brown/yellow, and the brighter sky and clouds over San Francisco Bay are reflected in the broken windows. Soon after I finished shooting, the sun set, and I headed back to where my nocturnal friends awaited, and we headed out to photograph in the night.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The shadow of a tree casts its shadow in winter light across an urban wall.
I made this photograph in the very late afternoon near the end of December, 2012. For some reason, each year at about this time I get the idea of doing a personal “photo walk” that starts at my front door and then wanders around the “neighborhood” in a two-mile or so radius. Almost invariably, the walk takes place late in the day and lasts through the sunset hours. I frequently cover (or perhaps I should write “cover again”) familiar territory, and I even re-photograph some of the same subjects that I have photographed in the past. (This isn’t the first time that I have photographed this wall.) I usually walk slowly for the most part, focusing more on looking than on walking. By slowing down and especially by paying attention to things I might photograph, I invariably see things – within walking distance of my home – that I would otherwise not see at all.
This photograph probably looks like a very strange amorphous thing to some viewers, so let me at least explain what you see. This is a concrete wall, with low angle sun striking it almost directly from the left, producing stretched shadows from a nearby tree. The wall is painted green, but the very warm golden hour light moves the color toward yellow. The wall apparently is an attractive target for vandals/graffiti artists, since it is apparent that something was previously painted out using a slightly different color paint. Although it is hard to see in this small web jpg, I like this odd mix of colors and the interesting details of the wall’s texture as they are revealing by the side-light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white photograph of a stairway and a portion of a front wall of a building on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California
Black and white photograph of a stairway and a portion of a front wall of Building 45 on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California
I interrupt the almost-steady stream of landscape photographs from the American Southwest (of which there are many more to come) to share a photograph of night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. Depending upon where you see/read this, you may not know that I have been photographing this place at night for a half-dozen years or more, joining a large number of other night photographers who continue to be fascinated by the place. The San Francisco Bay Area group known as The Nocturnes has been instrumental in uncovering the photographic potential of this wonderful location and in ensuring its respectful treatment by photographers, and I was there with them again this week. I’m certain that many people who drive past and see “Mare Island” signs have no idea of how long this place has existed (well back into the 1800s) nor of its historic importance (the first US west coast major ship yard) or some of its “issues,” including the transition from the military to civilian uses and all of the things that this entails.
The whole area, but especially that around the “historic core,” is quite an amazing photographic resource, especially for those who have worked to “see” it at night. There are a number of obvious, impressive, and iconic features – the gantry structures, the power plant, many old buildings, dry docks, and more – yet return visits begin to reveal smaller and subtler features that you could miss on a single visit. There was one wrinkle in this week’s shoot – RAIN! When we assembled there before sunset – for photograph sharing and talk – we knew that a weather front was headed our way, but we hoped that it might hold off long enough to let us complete some shooting first. I wasn’t so sure. (The weather radar app showed a front very close to us!) As soon as it was dark enough, I quickly went to work at this building that I had seen earlier in the day when I arrived. It was already beginning to sprinkle when I got there, and soon the rain increased to the point where I had to work under an umbrella as I completed some relatively long exposures. (For real fun, try juggling camera, lenses, bags, tripod, and an umbrella… in increasing wind… and rain… while trying to attach camera to said tripod and compose and focus!) I had time to make five or six photographs at this location before I had to seek shelter along with my Nocturnes colleagues on the front porch of one of the old officers’ mansions.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
