Tag Archives: panamint

From Panamints To Death Valley

From Panamints To Death Valley
The view down into Death Valley from high along the summit of the Panamint Mountains

From Panamints To Death Valley. © Copyright 2018 G Dan Mitchell – all rights reserved.

The view down into Death Valley from high along the summit of the Panamint Mountains

Death Valley National Park — like virtually all national parks — contains a few features that have become iconic. These are the places everyone goes, and I probably don’t have to name them here. I would not dismiss such places — many of them, as we say, “are icons for a reason.” When I first visited this part two decades ago, I started with a few of those locations and I was thrilled to do so.

But now, after many, many visits to the place, I have pushed out my boundaries more and more. This is a huge and diverse park, with everything from the familiar low desert to high mountain ranges reaching above 11,000′ of elevation. While the better known locations can be a bit crowded, especially during the ideal season (when it isn’t so hot!), it doesn’t take a lot of exploring to find solitude. The location where I made this photograph isn’t the most isolated in the park, but it does afford a different view of the main valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Death Valley, Mountains, Morning

Death Valley, Mountains, Morning
Morning light on Death Valley and the base of the Panamint Mountain Range

Death Valley, Mountains, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on Death Valley and the base of the Panamint Mountain Range

A few recent photographs here have focused on the intimate landscapes of Death Vally canyons. This one leaves the canyon and moves out into the open, looking from the eastern mountains across valley to the base of the Panamint range on the other side. We had driven up in to these mountains in the morning after first photographing dawn from the valley. Here we could watch the morning light traverse the valley — in the photograph it still had not made it to the low hills below our position.

At about the time of my first visits to Death Valley I had also made my first trips to Alaska. It may seem odd, given their different climates, but it struck me that the two places have a lot in common. Most of all, in both places I experiences huge spaces and immense quiet and stillness in ways that I had not really known before. (I rarely experience this in the Sierra, even above timberline, since the distances are smaller and somewhere in the landscape there will be a tree.) In Death Vally, it is hard to make sense of the scale of the landscape. The combination of huge distances, tremendously large features, and a dearth of objects of known size conspire to confuse us. Look across flats to a barren mountain and its valleys, it might seem that you could just walk there. You could, perhaps, but it might take many days.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mountains And Salt Flats, Morning

Death Valley, Mountains, Morning
Water seeping onto salt flats reflects morning light on Panamint Mountains

Death Valley, Mountains, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mountains And Salt Flats, Morning

On your first visit to Death Valley and to this particular spot in the park, you might be surprised to find water here. I know I was the first time I saw the spot so many years ago. As I drove past on a road through the valley I thought I saw water on the salt flats, but I suspected that it was just a mirage. But I kept seeing it on subsequent visits and before long I stopped, got out, and walked out there to see what was going on. From the roadway one walks across a low-angle gravel fan that is one of the more desolate spots in Death Valley. At the right time during the right years, there actually can be flowers growing here for a short time, but it small numbers and widely scattered. On this recent visit, even though there were flowers around, I found spots out here where I would see literally nothing growing at all.

At the bottom of the gravel fan one enters salt weed or salt grass, an extremely hardy plant that grows in some of the most hostile locations imaginable — as long as there is some water, even if it is full of salt and chemicals. Passing through this area makes for difficult walking, between the rough but sometimes muddy ground and the sharp branches of the plant. Beyond the plants water seeps onto the salt flat, barely moving at all, then slowly travels in narrow and very shallow sheets down toward even lower portions of the valley. Surprisingly, things do live here, including insects and, on occasion, some rather exuberant birds. If you stand in just the right place, at sunrise the early morning light on the Panamint Mountain Range is reflected in these ponds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dust Storm, Desert Mountains

Dust Storm, Desert Mountains
A spring dust storm obscures the Panamint Mountains, Death Valley

Dust Storm, Desert Mountains. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A spring dust storm obscures the Panamint Mountains, Death Valley

This was a remarkable day in Death Valley, from dawn until dusk, though it was not entirely an easy day to be there. We began very early on a ridge high in the Panamint Mountains, where we went to photograph sunrise. This was not the iconic brilliantly colorful sunrise that one might hope for, but it was more remarkable in many ways. There was a milky translucence in the atmosphere produced by some combination of light and dust, the latter being the precursor to a huge dust storm that would envelop the area later in the day. Later in the morning we explored other remote areas of Panamints before eventually deciding that we would start back down into Death Valley, where we were staying.

While still high in the mountains we began to notice the telltale signs that dust storms were imminent. Brown streamers of dust began to appear high above us, unusual for this high in the mountains, and though we could not see the Valley we began to recognize what was happening. As we descended the dust thickened, and by the time we joined up with the main road into the Valley the dust was thick, obscuring even nearby mountains such as those in this photograph. We continued on, and before long the wind was howling and dust was everywhere. I’ve been in dust storms before, but I was surprised when for a brief moment the dust turned to sand and then tiny pebbles began to fall from the sky! We got back to our room and closed up doors and windows — but dust still streamed into the room through any slight crack. Hours later the wind abated and we went outside. There were still clouds of blowing dust, but we could see some breaks… and rain clouds moving in! Before long showers were passing through the dust storm, creating one of the most apocalyptic landscapes I’ve ever seen.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.