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Pipe Covered Wall, Fire Extinguisher Sign

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Pipe Covered Wall, Fire Extinguisher Sign - A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows - The Embarcadero, San Francisco
A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows – The Embarcadero, San Francisco

Pipe Covered Wall, Fire Extinguisher Sign. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows – The Embarcadero, San Francisco.

This is a more or less random bit of wall in a small alley leading from the Embarcadero to some old buildings on one of the old piers along the east shoreline of San Francisco. (I need to get back up there soon. There was a recent fire in the area and now I’m wondering if it affected any of these little spots I photograph.)

I am a bit of a sucker – and who isn’t? – for old worn walls, especially when they are crisscrossed by pipes and conduit and when they hold various valves and meters of the sort that in more modern structures might be hidden from view. In this case, I made the photograph in relatively “harsh” light – it was still morning, but no longer the very early soft, warm light. In fact, it was that very light that created another element of this scene that attracted me, namely the very wide shadows from the very narrow pipes. I liked other small details too – the “FIRE EXT” sign, worn and now covered by conduit, with no fire extinguisher to be seen; what must be a much older “sign” about a third of the way in from the right, which now seems to be completely blank; that interesting interruption of the wall near its base but a chunk of steel covered with rivets.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

De Young Museum, Exterior Detail

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De Young Museum, Exterior Detail - Exterior walls of San Francisco's De Young Museum.
Exterior walls of San Francisco's De Young Museum.

De Young Museum, Exterior Detail. San Francisco, California. March 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Exterior walls of San Francisco’s De Young Museum.

In early March I was at San Francisco’s De Young Museum for an event associated with the “San Francisco 1964” exhibit of the photography of Arthur Tress, at which Tress spoke to a small group of San Francisco photographers about his work. (Thank you to Adobe for inviting me and the other photographers. The exhibit continues, and San Francisco Bay Area photography fans and others visiting the area should consider a visit to the show.) Unless I’m heading up there for certain musical performance, I almost always take a camera to The City, and I certainly brought one this time. I mainly photographed Tress during his talk, but once it was over and I left the museum I had a bit of time to wander around and shoot the nearby area.

I started in the Music Concourse, a lowered area in front of the museum that features some ominous-looking dormant trees at this time of year. After finishing there I walked back around the museum to head back to my car, and I passed by this “side” wall of the facility near the tower section of the building. The exterior walls are very interesting. They are apparently constructed of some sort of copper panels that have been “dimpled” in a range of ways that evolve across its surface, and it looks like some of the upper level “walls” are more like screens than solid material. As I understand it, the idea was that this metallic surface would “age” and acquire a patina that might make it blend in more with the natural surroundings of the park. (Though it is hard to imagine that tower blending in!) In the soft light on this shaded side of the building the range of colors and tones in the material was striking, ranging from the blacks of dark shadow areas, to the expected reddish copper tones, to all sorts of blueish shades.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

“Feel Better”

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"Feel Better" - A barber "pole" with the words "Feel Better" and a hand painted laundry sign on the exterior wall of a dilapidated building, San Jose, California.
A barber "pole" with the words "Feel Better" and a hand painted laundry sign on the exterior wall of a dilapidated building, San Jose, California.

“Feel Better”. San Jose, California. December 28, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A barber “pole” with the words “Feel Better” and a hand painted laundry sign on the exterior wall of a dilapidated building, San Jose, California.

Another photograph made while wandering about in my neighborhood. These signs are on the side of a very old and very dilapidated little wood-sided building that houses a barber shop and a cleaners. The building is leaning so badly and on such uneven ground that it is a wonder that it is still standing and that the city still allows people to occupy it. Yet, it seems like the two businesses inside, which give the appearance of having been there a long time, continue to hang on.

The crazily tilting, off-kilter walls along the side of the building first caught my attention, so I went around to the side to make some photographs of this wall. Once I got closer I was intrigued by the barber “pole” (or the cheapest imaginable imitation of the real thing, nailed to the wall) with its odd label, “FEEL BETTER” near the bottom. The hand-painted sign for the cleaners was also interesting. Today it seems like most business signs have been extruded at the same business sign factory, and they often share a uniform slickness and lack of individual character. Not true of this sign! I looks like perhaps the owner painted it himself or herself, and that this person had just enough painting skill to pull it off, but not so much as to be overly slick, to put it mildly. The oddly spaces hand-lettering and the “personalized” paintings of suits hanging on hangars are not the sort of thing you usually see in this area, but they do have a certain charm.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

People, MoMA

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People, MoMA
People, MoMA

People, MoMA. Museum of Modern Art, New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

People moving on multiple levels of lobby and walkways at the Museum of Modern Art, New York.

I’ve been sitting on this photograph for a while, but I’ll interrupt the recent series of Sierra Nevada photographs to insert something more urban.

The photograph was made handheld inside a central atrium-like area of the Museum of Modern Art in New York City, a space from which layers of walkways could be seen. Although the slow shutter speed was somewhat a matter of necessity (but not totally) it also allowed me to let the moving figures blur, which suggests their motion more than would a faster shutter speed. I also removes the specific features of many of the closer people and lets them function more as generic figures in the image. There is more going on in the scene than might be apparent with a cursory glance.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.