Tag Archives: park

Windows and Shadows

Windows and Shadows
The shadows of passing figures on a pair of windows and a wall in Manhattan.

Windows and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shadows of passing figures on a pair of windows and a wall in Manhattan.

This somewhat mysterious-looking photograph comes from a few years back on a visit to New York City. It was late in the day, and we found ourselves wandering along the Highline Park, the elevated park along a portion of the west side of Manhattan. The park wanders past all sorts of Manhattan features — apartments, hotels, businesses, parking, streets, and more. In such places unusual and fleeting lighting effects can occur, some of them as magical as the light I look for in the natural world. Among them is the potential for light to reflect back and forth among multiple reflective surfaces. This often softens the light and directs it into places where you might not expect it. That was the case here, as the light worked its way down into this urban canyon in the same way it does in the red rock canyons of the Southwest.

This photograph also exemplifies why I like to work with small and light cameras in urban environments — rather than using the larger, tripod-mounted gear I often use in the natural landscape. Here things happen quickly, often with little warning, and quickly disappear. Being able to respond quickly is critical, and this ability to work quickly and spontaneously often turns out to be far more important than having larger and objectively “better” gear. The ghostly shadows of the passing figures were gone within seconds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Sands Beach, Coastal Cliffs

Black Sands Beach, Coastal Cliffs
Black Sands Beach and the Lost Coast, Shelter Cove, California.

Black Sands Beach, Coastal Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Black Sands Beach and the Lost Coast, Shelter Cove, California.

Previously I have shared my dark secret: for decades I barely visited the portions of California north of the San Francisco Bay Area, Sacramento, and Tahoe line. Sure, I visited Lassen National Park with my family when I was young, and I’ve been on Mt. Lassen a few times, and — of course — I have driven north out of the state on Interstate 5. But the Northern California coast remaining mostly off my radar for decades. A decade or two ago this began to change — slowly — as we visited areas in Mendocino County and along the path to and from there, and when we pushed a bit further north from that base on some day trips.

Finally, during the last decade or so, I began to get more serious about this wonderful region and, among other things, I began photographing in the redwoods. (I have photographed closer redwoods for decades.) And then I pushed out toward the coast. On this year’s visit we finally made it to the edges of the Lost Coast area below Eureka, a portion of the coast so rugged that even “the coast highway” takes an inland jog. In the middle of this region lies the isolated (but surprisingly large) community of Shelter Cove. Black Sands Beach extends from this local toward the northern section of the Lost Coast, and no roads touch the coast again for many miles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Redwood Forest Trail

Redwood Forest Trail
A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

Redwood Forest Trail. © Copyright 2021 G Dan Mitchell – all rights reserved.

A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

As I write this post, it has been a 100+ degree day with wildfire smoke drifting across the Bay Area and mostly forcing us inside — and I know it is much worse in many other parts of California and the West. Barely more than two months ago we walked this coastal trail through redwoods on a cool June morning as fog drifted overhead and rhododendrons bloomed. How long ago that seems now! But looking forward an equal amount of time we can hope that this nasty, dry, hot summer will be behind us and, with luck, autumn rains will return.

Photographing redwood forests can be a tricky thing. Deep in the forest the light can be so low that exposures as long as a second or more a necessary. Meanwhile, even on the most still days there is always a slight bit of air motion, and the long palm fronds and hanging plans are virtually never still. And when the sun rises higher in the sky and sends a few beams of light to the forest floor, the difference between the sunlit spots and the shadows can be huge. In this photograph, in order to produce something that reflects what we see when we look around such a scene, I had to carefully control the brightness of the bits of sky at the top of the photograph and the stray beams of light along the trail… and then ensure that the dark areas were bright enough to make details visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Terrain, Subalpine Lake

Rocky Terrain, Subalpine Lake
Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

Rocky Terrain, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

As I do from time to time, recently I was reminiscing about the Before Times when I headed into the Sierra backcountry for a week or more every summer with a wonderful group of fellow photographers — among whom are several who have been doing these trips for two decades. (Although I’ve visited the Sierra backcountry for what I vaguely refer to as “decades,” I only began to join this group in 2008.) All of us miss these trips, especially what would have been the one celebrating the second decade of the work, but it turns out that there are still discoveries to be made among the photographs we brought back.

On this trip we visited a fairly remote location in the Sequoia-Kings Canyon backcountry, one that took us a couple of days to get to. Once there we spent close to a week photographing the heck out of the place and surrounding wilderness, a high elevation place full of lakes and rocky terrain. We mixed photograph in our immediate “backyard” (sometimes only steps from out tents) with somewhat longer explorations. This photograph comes from a lake rather close to our camp. My weak knowledge of Sierra geology suggests to me that this monumental chunk of rock was probably overrun and sculpted by glaciers in the past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.