Tag Archives: park

Wild Sweet Pea Flowers

Wild Sweet Pea Flowers
Wild sweet pea flowers, Almaden Quicksilver County Park

Wild Sweet Pea Flowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Wild sweet pea flowers, Almaden Quicksilver County Park.

I made this photograph on a short hike along a familiar trail, one where I’ve gone to see wildflowers for several decades. It is not quite as exotic a location as some I travel to — in fact, it only took me about two hours to get there, do my hike, make my photographs, and return home for dinner! There’s a hint there, too — I did not photograph during the typical very early or very late hours. Instead I made this during the late afternoon. That works well in this spot since it is in a deep canyon, and the light is subdued even during main daylight hours.

I am far from an expert on wildflowers! In fact there are only a few that I can consistently name. Yet, even when I cannot recall the names — an issue I’ve always had — I recall the flowers themselves, the time of year and location where I’ll find them, and other features that characterize them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Death Valley, Panamint Foothills, Morning

Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune Curves, Morning Light

Dune Curves, Morning Light
Early morning light and shadows on curving dune forms, Death Valley National Park

Dune Curves, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light and shadows on curving dune forms, Death Valley National Park.

Yes, it is one more in the never-ending series of sand dune photographs. As I have written previously, the dunes provide a seemingly endless photographic laboratory in light and shadow, color, texture, form, and more. They can be photographed on the large scale, where they comprise an entire monumental landscape, but they can also be presented on a smaller scale, where a photograph might feature a single gesture of sand, a plant, animal tracks, or some other small thing.

I think that you can look at many photographs of this type as having a dual nature. Looked at one way they are representations of “the real” in the natural world, though always with some degree of subjectivity and interpretation. Looked at in another way they can almost be abstract, divorced from their sources. I enjoy trying to see them both ways and in exploring the flexible boundary between the two ways of seeing. Here I was intrigued by mirrored shapes, in one case created by sunlight on a dune surface and in the other a shadow cast by a low ridge that is not within the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hikers, Desert Canyon

Hikers, Desert Canyon
Two hikers entering the narrows of Titus Canyon

Hikers, Desert Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers entering the narrows of Titus Canyon.

The stream beds of desert washes often seem to me to be the “freeways” of the desert. They can (but not always!) provide relatively easy walking through rougher terrain. The periodic flow of water, along with the mud and rocks caught in its flow, both clears the washes of vegetation and leaves a relatively flat surface of small stones and dried sediment. Over millennia the water flowing through the washes does the hard word of trail building, wearing down obstructions and leveling out the rough places. (OK, there are exceptions — those chock stones that fall into canyons and block them, along with the periodic “dry falls” that may be unsurmountable.)

This canyon is often used by motor vehicle traffic, but following heavy rains that made the route impassable to vehicles it turned into a much more pleasant place to hike, and a group of us walked up through the spectacular narrows in its lower reaches. Lower in the canyon it is sometimes quite narrow, though in this location it begins to broaden a bit. To understand the scale of the terrain look closely and you’ll be able to spot a couple of hikers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.