Tag Archives: path

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Bend

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Photo of Death Valley slot canyon
“Canyon Bend” — A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Desert landscapes tend to be exposed, open to the sky and wind, and blasted by the midday sun. The space seems horizontally oriented, often with a distant horizon and perhaps low mountains rising from playas. The canyons contrast almost every way. They are places of shade, protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

There are many small canyons in Death Valley National Park, and they may be among its least-known and most interesting features. A few are popular, but most are off the beaten path and some are downright difficult to get to. Their lonely quality is part of the charm, and I hope it stays that way. This spot presents a fascinating combination of the blue-light, shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Forest Trail

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Redwood Forest Trail
A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

Redwood Forest Trail. © Copyright 2021 G Dan Mitchell – all rights reserved.

A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

As I write this post, it has been a 100+ degree day with wildfire smoke drifting across the Bay Area and mostly forcing us inside — and I know it is much worse in many other parts of California and the West. Barely more than two months ago we walked this coastal trail through redwoods on a cool June morning as fog drifted overhead and rhododendrons bloomed. How long ago that seems now! But looking forward an equal amount of time we can hope that this nasty, dry, hot summer will be behind us and, with luck, autumn rains will return.

Photographing redwood forests can be a tricky thing. Deep in the forest the light can be so low that exposures as long as a second or more a necessary. Meanwhile, even on the most still days there is always a slight bit of air motion, and the long palm fronds and hanging plans are virtually never still. And when the sun rises higher in the sky and sends a few beams of light to the forest floor, the difference between the sunlit spots and the shadows can be huge. In this photograph, in order to produce something that reflects what we see when we look around such a scene, I had to carefully control the brightness of the bits of sky at the top of the photograph and the stray beams of light along the trail… and then ensure that the dark areas were bright enough to make details visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Trail, Spring Morning

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Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Narrows

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Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.