Tag Archives: pattern

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Marbled Canyon Wall

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Marbled stone in a Death Valley canyon wall.

Marbled Canyon Wall. © Copyright 2019 G Dan Mitchell – all rights reserved.

Marbled stone in a Death Valley canyon wall.

This little section of canyon wall is one that I’ve marveled (marbled?) at for years, stopping there every time I visit this canyon and pondering how to photograph it. Although I find the patterns (and what they imply about the geology of this place) to be remarkable, it isn’t each to find a way to photograph them the way I want. On this visit the canyon was quite dark and the light filtering down from above was soft and blue-toned.

I am about as far from being a trained geologist as one can be. I have never taken a single course in the subject, though I have read a bit. Nonetheless, I always marvel at the record of time and geological forces that created a little spot like this. Some material was, I presume, laid down “here” over a long period of time. Additional time allowed for it to transform into rock. As geological forces on various scales did their work, cracks appeared that permitted the entrance of entirely different material to create what we see as veins — but which are perhaps better thought of as layers. Eventually the force of water (and perhaps a weakness in the structure of the rock?) exposed this rock to the light. And then I arrived to photograph it…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Window Maze

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Window Maze
Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding

Window Maze. © Copyright 2019 G Dan Mitchell – all rights reserved.

Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding.

Continuing with the theme of “windows,” here is another photograph I recently made while walking in San Francisco. My San Francisco ambling typically has a general structure — I usually arrive at the Fourth Street Caltrain Station early in the morning, then typically start walking north (often along the waterfront, though not on this visit). I photograph as I go, and eventually reach a turn-around point, where I start back towards the train station on a different route.

I made this photograph on that return walk, and I was actually in a bit of a hurry — I had just enough time to get to the station and board before my train was to leave, and missing it would have meant an hour wait. These windows caught my attention and I paused very briefly to make two exposures. The objective reality of the scene is simple — a couple of “window walls” joining at a corner — but the subjective effect is quite complex and wild, with confusing combinations of elements (the windows themselves, what lies inside, and things behind me in the reflections), perspective lines, and color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Intertwined Trunks

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Intertwined Trunks
Tightly laced tree trunks, Southern Sierra Nevada

Intertwined Trunks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Tightly laced tree trunks, Southern Sierra Nevada.

This is an older photograph that has languished in my raw file archives for nearly a decade. Back in 2010 I was on a long Southern Sierra backcountry trip with a group of friends — roughly speaking we made a giant semi-circle around Mount Whitney, starting southeast of that peak and coming out over a week later at a point considerably north. A milestone on this trip was realizing — finally! — that re-climbing that iconic peak is less profitable than spending time in many other equally beautiful places in the Sierra. At several points on this trip we found ourselves in lonely, less-visited spots, and I treasure the trip for that reason. These trees were at one of our campsites, in a location essentially right at timberline.

Everyone’s work habits are unique, but for me it is important to periodically go back and look through older photographs that didn’t “go anywhere” at the time. I inevitably find images that are worth the second look. I’ve often pondered how and why this happens. Among my theories: perhaps I simply moved on to quickly to other projects at the time, possibly I didn’t really understand how to “see” the image, my interests and perspectives have changed. Regardless, this is one reason that I’m hesitant to delete a lot of raw files — all too often I’ve gone back and found something that I was glad I kept!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Patterns, Evening

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Dune Patterns, Evening
Evening light on layers of Death Valley sand dunes.

Dune Patterns, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on layers of Death Valley sand dunes.

This photograph provides an opportunity to tell a little story on myself. Sometimes I’m very good at getting going early enough to arrive at a location in plenty of time. But sometimes I’m not. This was almost one of those times. The right way to photograph here would have been to arrive perhaps an hour earlier, at a time when the light would have seen fairly uninteresting to me, and then to set up and wait. That’s not what happened.

I did have a plan to be in this spot, but I may have underestimated the time it would take to get to the exact location. We arrived before the beautiful light arrived… but I had a bit of a hike to get in position. I started walking and quickly realized that I was cutting it close. I put my head down and took off in a beeline for this spot where I knew I would fine sequences of rising dunes, building one upon the other. I did not stop or slow down until I got to “the spot,” at which point I immediately picked a first composition, set things up, and went to work. I was on time, but only barely, and I had perhaps ten minutes of lovely, colorful light before sunset.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.