Tag Archives: peak

Autumn Haze, Sabrina Basin

Autumn Haze, Sabrina Basin
Aspen colors scattered across the rugged granite landscape of Sabrina Basin

Autumn Haze, Sabrina Basin. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Aspen colors scattered across the rugged granite landscape of Sabrina Basin

This particular view may be a familiar one to many who follow the autumn aspen color in the eastern Sierra Nevada, as Sabrina Basin and, more broadly, the Bishop Creek area, is well-known for extensive groves of aspens. This photograph comes from a point just a bit earlier in the color transition season than most of my photographs of the area, and a close look at some of the more distant ridges reveals extensive color among the smaller, high elevation aspens that typically change colors first. The foreground trees were also more colorful than usual for this late September date, though the afternoon backlight emphasizes the effect.

The Sierra present many different appearances, ranging from gentle meadows full of green grasses and flowing water to the most rugged, spare alpine regions filled with rocks and the hard edges of ridge lines. While an up close view of certain parts of this scene — perhaps from standing within one of the colorful aspen groves in the foreground — would present more of the gentle view, the panorama from this high, exposed location reveals the tremendous world of rugged granite in this part of the range, where the Sierra crest rises quite quickly from the high desert terrain to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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John Muir Trail, Yosemite

John Muir Trail, Yosemite
The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning

John Muir Trail, Yosemite. Yosemite National Park, California. September 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning

Late in the season in the Sierra backcountry the population begins to change. During the high season of July through Labor Day, when passes are usually clear of snow and when people are in the middle of their summer vacations, the backcountry is filled with backpackers of all sorts, though quite a few are weekend visitors out of a few days. The through-hikers are there, but they are outnumbered by the other folks. After Labor Day things begin to change, and I have a sense that a greater percentage of the backpackers are of the “serious” sort — the people who are out for longer trips, who are covering greater mileage, and who may visit some of the more out-of-the-way locations. Our photography trip into the Yosemite backcountry was during this period, and out camp was on a section of the John Muir Trail, so quite a few of these “hard-core” hikers passed through. (I enjoy talking to them, since I’ve been across almost all of the trails they were traversing.)

One morning I got up, as we always do on these trips, before dawn. I gradually worked my way up through a rocky forest/meadow behind our camp, climbing toward a saddle not far above our location and photographing along the way. Shortly before the saddle I caught sight of an actual trail heading up there, and I quickly figured out that it was the portion of the JMT that ran past our lake. I arrived at the saddle before the sun had risen far enough to light the beautiful meadow that extended beyond it, but knowing that the light would soon slant across the pass I set up and picked some possible compositions. Here I made a conscious choice to “document” this bit of the JMT as it crossed the pass and headed off toward the distant peak, and right as the first light bit the trail I made a series of photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Shadows, Mono Lake

Evening Shadows, Mono Lake
Evening Shadows, Mono Lake

Evening Shadows, Mono Lake. October 11, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening shadows fall across the western shore and islands of Mono Lake

The landscape of Mono Lake, near Lee Vining, California, provides a stark contrast to the Sierra Nevada just to the west. From the alpine ridges of the Sierra along and just north of Yosemite, the eastern slopes of the range drop quickly to Lee Vining and the broad valley beyond. The lake sits in a dry basin that has no outlet, so the water simply (for the most part) evaporates.

The lake is huge, stretching far to the east beyond Lee Vining. The landscape of the lake is simple, partly because the surrounding area was once submerged when the lake was much larger than it is today. Far in the distance is Boundary Peak and the ridge of the White Mountains. The sun sets early here, since the tall peaks of the Sierra raise to the west, and in this photograph deep shadows are already angling across the western shores of the lake.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Mount Humphreys, Dawn

Mount Humphreys, Dawn
“Mount Humphreys, Dawn” — Cloud banners blow from the summit pf snow-dusted Mount Humpreys in autumn dawn light

This photograph is from a spectacular landscape in the eastern Sierra above the town of Bishop, in what is sometimes called “Buttermilk Country,” or just plain “the Buttermilks.” Here the land rises steadily from the Owens Valley lowlands, first gradually, then building into the eroded and rounded rocky hills like those catching the sun in the center of this photograph, and finally culminating in the alpine peaks of the Sierra Nevada Crest. The tallest peak in the photograph is Mount Humphreys.


As is typical in autumn, I was in the eastern Sierra to photograph fall color — which mostly means aspens. My recollection is that we started up toward the mountains from Bishop very early in the morning, before sunrise, and then decided that the dawn light on the eastern face of the Sierra offered more possibilities than yet more aspen photographs — besides, the aspens would still be there after this sunrise light was gone! We left the main road and followed gravel tracks to this spot with its view of foreground hills and Sierra crest peaks just as the dawn light show began.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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