Tag Archives: pedestrian

Between the Columns

Between the Columns
A pedestrain emerges from between monumental columns along a San Francisco street.

Between the Columns. © Copyright 2019 G Dan Mitchell – all rights reserved.

A pedestrain emerges from between monumental columns along a San Francisco street.

This photograph comes from one of my (formerly) frequent long walks through urban San Francisco, which is only a one-hour train ride away from where I live. My practice has been to periodically head up there very early in the day, and then spend the morning walking through various parts of The City with my camera.

This was not one of the “postcards from Pandemic” photographs. In fact, I made it last year before anyone had an inkling of what was coming. (Remember those innocent times?) But it seems to me to have a different context given what has happened in the past few months.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Construction Zone

Construction Zone
A man walks past construction barriers in San Francisco

Construction Zone. © Copyright 2019 G Dan Mitchell – all rights reserved.

A man walks past construction barriers in San Francisco.

Like most big cities, San Francisco is in a perpetual state of construction, demolition, and reconstruction. It is fun to imagine a city that arrives in a perfect state and stays there for a while — but that’s not going to happen. Among many San Francisco projects, one of the biggest right now involves constructing an underground transit route under the center of the City, and years of torn up streets have ensued. Although it is possible to imagine the project concluding now, there’s still a lot of work going on.

One major purpose of the route is to extend transit in a more effective manner from the Caltrain station at Fourth and Townsend. I frequently travel to the City by way of the train, and this visit was no exception, so I found myself walking straight up Fourth and past a section where the rails are above ground before they descend into a tunnel. Here the ongoing construction is separated by barriers from the (few) remaining traffic lanes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrian, Old Buildings

Pedestrian, Old Buildings
A pedestrian walks past a Paris wall full of interesting shapes

Pedestrian, Old Buildings. © Copyright 2018 G Dan Mitchell – all rights reserved.

A pedestrian walks past a Paris wall full of interesting shapes

Folks like this fellow are often subjects in my street photography. I frequently located an interesting group of buildings or similar, and then I wait for a person to populate the scene. Fortunately, this fellow came by pretty quickly after I had worked out my composition and so forth.

The person is interesting and provides a central focus. However, I feel like the photograph is actually more about the architecture than the person. The person does give the image a focus, but I was more interested in the almost-cubist forms of the wall here. The colors are all rather muted, though the dynamic range is quite large.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tortaria

Tortaria
A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

Tortaria. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.