Soft light and autumn atmosphere obscure the view across the San Luis Reservoir
Since I have previously described the circumstances of photographing this scene, I’ll keep this description short. The San Luis Reservoir is a huge manmade lake in central California, between the south San Francisco Bay Area and the Central Valley. I frequently pass by here as I travel to the Valley, the Sierra, and beyond.
On this day I had been out in the Valley photographing migratory birds and the landscapes in which they are found — my first such visit to the Valley this season. On the way back home I passed the reservoir in the middle of the day, when the bright, late-autumn sun was reflecting off the surface of the lake and making the clouds above the distance mountains glow.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sunset light on a tree-covered peninsula as a steep talus slope falls into evening shadows
This photograph from the first evening of a week-long 2010 southern Sierra backpacking trip reminds me of many things, but at the moment I’m recalling a particular feeling that often comes on the first night on the trail, and which is one of these moments that marks the transition away from the other world to the magical world of the backcountry. Arriving at the start of a long backcountry trip requires a fair amount of planning that begins well before the trip. Often months before (those sometimes on the previous weekend!) a plan is hatched and a group of people assembled. Soon dates are set and an itinerary comes together. As the date approaches, we collect gear together and begin to pack and make the plans for our absence. The process accelerates as the day approaches and soon we are on our way to the mountains, often arriving at a trailhead came the night before, where the familiar sensations and rhythms begin to return.
The next morning we are up early, packing away the things we brought for that first campground night and paring down our possessions to only those things we’ll carry on the trail. We tear down camp, check and double-check gear, fill up water bottles, lock cars, head to the trailhead for the inevitable photo by the sign… and we are off. The first point of breaking away (once again!) is at this moment when we start up the trail, but in some ways this is often the beginning of a mental transition that will last all day as we again become accustomed to life on the trail. We climb, we stop to filter water, we eat our first of many trail lunches, the climb becomes harder as we watch for the pass up above. Eventually we reach that pass, where we stop and sit for a while, looking into the world where we’ll spend the next few days or week(s), then we head down the other side of the pass, an act that always seals the feeling of commitment to the trip. We arrive and set up our first trail camp, once again putting specialized equipment to use, remembering just how we set up that tent and operate that stove. Then, once all these tasks are complete, we find what we came for — there is nothing left to do. So we do nothing. We walk slowly around the lake, make some photographs, sit on a rock, and quietly watch the last light on a tree-filled peninsula beneath shadowed talus slopes.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A peninsula at San Luis Reservoir, with distant hills and autumn clouds
I often pass this location on my way to and from other places — the Sierra, Southern California, the deserts, the Southwest, bird photography locations — but I almost never stop, despite the fact that this can be a place of huge spaces and beautiful light and atmosphere. The reasons for passing it by are perhaps many: I’ve been by it many times over a period of many decades, it isn’t easy to find a place to pull over and stop, it is a manmade reservoir, and I’m usually more focused on getting to or coming back from one of those other places.
Recently I made my first trip of the season out to the migratory bird areas of the Central Valley where I like to do a lot of photography in the late-fall through winter months. This visit was perhaps a bit early for real bird photography, but it gave me a chance to get back to that area that I enjoy so much… and it was a foggy day! (The fog and hazy atmosphere of the Central Valley are major attractions for me.) The bird photography out there was merely OK on this visit and, as planned, I only stayed there for the morning before returning home. As I climbed past the huge earthen dam of this reservoir I was struck by the hazy sunlight on brown hills and the brilliantly bright clouds to the south across the expanse of the water. At first I kept going, but I soon came to my senses, found a place to turn around, and headed back to an overlook where I made a few photographs of this landscape.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening light comes to a tree-dotted peninsula on a subalpine lake, Yosemite National Park
A subalpine Sierra Nevada lake like this one, where I photographed over the course of six days in September, is both a comforting source of familiarity and an opportunity to seek and discover new things. Anyone who has spent much time in the Sierra back county is familiar with lakes like this one. It is set in a very shallow bowl between higher ridges in most directions, a low and rock ridge in another, and a forested valley holding its outlet stream. This one is entirely surrounded by forest, dense and growing right to the shoreline in places, and sparse and rocky in others. A walk around the lake — and I made quite a few of these walks! — reveals marshy sections, places steep and rocky enough to make passage challenging, rocky outcroppings, views through trees, small granite islands, and more.
These walks almost inevitably brought us to the far end of the lake, near the marshy outlet, where this granite peninsula extends into the lake and supports ground cover and a few isolated trees. As we explored and photographed individually, it was not unusual for us to run into one another in this spot where there are so many interesting possibilities. The peninsula was a bit of an enigma for me. Its visual appeal was immediate — the individual trees standing in the light, the granite rocks, the open views of surrounding terrain, and its path away from the shore and out into the lake. But once there, I discovered that it was not as easy to photograph as I might have expected! Despite its obvious appeal, there were challenges — how to find an effective background, getting just the right light, and placing the individual components of the scene into a pleasing composition. On this evening I shot with a wide-angle lens and decided to work the curving shoreline that faced the late-day light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
